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20241030104903.0 |
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180202s2010 kyu b 000 0ceng |
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|a 9781453648247
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|a 1453648240
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|a (OCoLC)1021243698
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|a (OCoLC)on1021243698
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|a U@S
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|a N8354
|b .I53 2010
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|a In her own words :
|b a primary sourcebook of autobiographical texts by women artists from the 19th and 20th centuries /
|c Wendy Slatkin, [editor].
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| 260 |
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|a [Lexington, KY] :
|b Wendy Slatkin,
|c c2010.
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| 300 |
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|a xxxvi, 412 p. ;
|c 24 cm.
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|a Incluye referencias bibliográficas.
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|a Introduction: Writing/Righting the woman artist -- Part I. The nineteenth century : the emergence of women artists as writers: Elisabeth Vigée-Lebrun (1755-1872): souvenirs or memoirs -- Harriet Hosmer (1830-1908): letters -- Rosa Bonheur (1822-1899): Rosa Bonheur, her life, her works / by Anna Klumpke -- Julia Margaret Cameron (1815-1879): Annals of my glass house and letters -- Berthe Morisot (1841-1895): letters to her family -- Marie Bashkirtseff (1858-1884): Journal -- Part II. The early twentieth century : private writing made public (1900-1940): Paula Modersohn-Becker (1876-1907) : letters and journal -- Käthe Kollwitz (1867-1945): The early years, diary, and letter -- Georgia O'Keeffe (1887-1986): Georgia O'Keeffe and letters -- Frida Kahlo (1907-1954): letters and diary -- Part 3. The late twentieth century : life narratives in the contemporary world (1975-2000): Alice Neel (1900-1984): Alice Neel, a collaborative life narrative -- Judy Chicago (born 1939): Through the flower and Beyond the flower -- Faith Ringgold (born 1930): We flew over the bridge: the memoirs of Faith Ringgold -- Louise Bourgeois (born 1911): Louise Bourgeois: Destruction of the father/reconstruction of the father -- Niki de Saint Phalle (1930-2002): Niki by Niki and letters.
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|a "In Her Own Words, is an edited compilation of autobiographical narratives by fifteen outstanding artist/authors. Since these writers are visual artists of historical interest, the specific, excerpted texts have been selected for their insights into the ways in which writing and making art intersect. The texts are limited to three main genres: the retrospective "autobiography," the journal/diary entry, and the letter. The excerpted texts are presented in a concise format, accessible to all interested readers both in and out of the classroom. The audience for this book would range from students in gender and art history courses at all levels, to professional educators, and to the public. Furthermore the book is clearly interdisciplinary, and readers interested in gender studies, autobiography, and art history would be attracted to the title. This book is subdivided into three chronological "parts," spanning the nineteenth century to the later twentieth century." --Contratapa.
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| 650 |
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|a Women artists
|y 19th century
|x Biography
|v Bibliography.
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| 650 |
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0 |
|a Women artists
|y 20th century
|x Biography
|v Bibliography.
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| 650 |
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0 |
|a Autobiography
|v Bibliography.
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| 650 |
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0 |
|a Artists as authors.
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| 650 |
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7 |
|a Mujeres artistas
|y Siglo XIX
|x Biografía
|v Bibliografía.
|2 UDESA
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| 650 |
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7 |
|a Mujeres artistas
|y Siglo XX
|x Biografía
|v Bibliografía.
|2 UDESA
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| 650 |
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7 |
|a Autobiografía
|v Bibliografía.
|2 UDESA
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| 650 |
|
7 |
|a Artistas como autores.
|2 UDESA
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| 700 |
1 |
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|a Slatkin, Wendy,
|e ed.
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