Tres relatos sobre Jorge Vila Ortiz: proyecto creador y alternativas del modernismo en Rosario
A small group of stories by Rodofo Vinacua illustrated by Jorge Vila Ortiz and two poems dedicated to the artist by Julio Cortázar and Francisco Urondo make it possible to mark three moments lived through by him: his first training experiences and aesthetic definitions in the second half of the 1940...
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/payro/article/view/11774 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=estuinv&d=2019_14-1_htm |
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| Sumario: | A small group of stories by Rodofo Vinacua illustrated by Jorge Vila Ortiz and two poems dedicated to the artist by Julio Cortázar and Francisco Urondo make it possible to mark three moments lived through by him: his first training experiences and aesthetic definitions in the second half of the 1940s, the decisive study trip to Europe made in 1950 and finally his intense deployment as an abstract creator in the 1950s until, at the dawn of the new decade, he canceled his cycle of public demonstrations to dedicate himself to an academic career in the field of Architecture and Design. This tour allows not only to see the development of a very representative artist in different spaces and situations, but also some of the most significant alternatives of Modern Art in Rosario. |
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