Un díptico ovidiano : Numa, Augusto y el poeta en los Fastos a la luz de las Metamorfosis

The article proposes to analyze the Fasti's Numa in relation to that of the Metamorphoses, considering: (1) the Ovidian representation of the monarchy; (2) the link between Numa and Augustus as a peacemaker; (3) the link between Numa and the poet. The conclusion to be reached is that, although...

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Detalles Bibliográficos
Autor principal: Martínez Astorino, Pablo
Formato: Artículo
Lenguaje:Español
Materias:
Acceso en línea:https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.18212/pr.18212.pdf
https://karolinum.cz/casopis/auc-philologica/rocnik-2021/cislo-4/clanek-10182
https://ri.conicet.gov.ar/handle/11336/181506
10.14712/24646830.2022.10
Aporte de:Registro referencial: Solicitar el recurso aquí
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100 |a Martínez Astorino, Pablo  |u Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; Argentina 
245 1 0 |a Un díptico ovidiano  |b : Numa, Augusto y el poeta en los Fastos a la luz de las Metamorfosis 
246 3 3 |a An Ovidian Diptych  |b Numa, Augustus, and the Poet in the Fasti in the Light of the Metamorphoses 
041 7 |2 ISO 639-1  |a es 
300 |a  p.11-28 
520 3 |a The article proposes to analyze the Fasti's Numa in relation to that of the Metamorphoses, considering: (1) the Ovidian representation of the monarchy; (2) the link between Numa and Augustus as a peacemaker; (3) the link between Numa and the poet. The conclusion to be reached is that, although Ovid, through Numa, represents in the Fasti a sort of contrafactual Augustus post Actium, in the light of the Metamorphoses, where the Numa's association with Augustus through the motif of pax leads to the poet, the image of the contrafactual Augustus cannot be understood as the end of the representation, but it is resolved in the image of an Augustus-Numa that, added to that of the Metamorphoses, constitutes a diptych, a double and complementary contemporary representation, which also in Fasti, though in a different way, leads to the poet, showing the primacy of poetry over politics in Ovidian writing. 
653 |a Numa 
653 |a Augusto 
653 |a Poeta 
653 |a Ovidio 
856 4 0 |u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.18212/pr.18212.pdf 
856 4 1 |u https://karolinum.cz/casopis/auc-philologica/rocnik-2021/cislo-4/clanek-10182 
856 4 1 |u https://ri.conicet.gov.ar/handle/11336/181506 
856 |u 10.14712/24646830.2022.10 
952 |u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.18212/pr.18212.pdf  |a MEMORIA ACADEMICA  |b MEMORIA ACADEMICA 
773 0 |7 nnas  |t Acta Universitatis Carolinae Philologica.   |g  No. 4 (2021),11-28  |l 4  |q 11-28  |d Praga : Univerzita Karlova v Praze. Nakladatelství Karolinum, 2021  |x ISSN 0567-82692464-6830 
542 1 |f Esta obra está bajo una licencia Creative Commons Atribución 2.5 Argentina  |u https://creativecommons.org/licenses/by/2.5/ar/