MILITATING DANCE AND IDENTITY IN PANDEMIC: AN ANALYSIS FROM THE PERSPECTIVE OF THE INTANGIBLE CULTURAL HERITAGE
The pandemic of 2020 generated profound modifications in the dynamics of daily life that resulted in a real confinement of the population inside their homes. The processes of activation, management and enhancement of cultural heritage were not immune to this unprecedented context. The preventive and...
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| Autores principales: | , |
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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EdUNLu
2021
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| Acceso en línea: | http://plarci.org/index.php/atekna/article/view/650 http://suquia.ffyh.unc.edu.ar/handle/suquia/19284 |
| Aporte de: |
| Sumario: | The pandemic of 2020 generated profound modifications in the dynamics of daily life that resulted in a real confinement of the population inside their homes. The processes of activation, management and enhancement of cultural heritage were not immune to this unprecedented context. The preventive and compulsory social isolation restricted the set of collective and community practices, annulled the meeting spaces and significantly altered the ways to safeguard certain cultural manifestations. Consequently, other forms of representation of identities and socialization of heritage began to be recorded that incorporated digital tools.
Within this framework, this paper seeks to articulate a theoretical discussion around the safeguarding of intangible cultural heritage in the context of the pandemic with the analysis of a concrete example of a group of German dances in an intermediate city in the center of the province of Buenos Aires, Argentina. The ultimate goal is to produce new knowledge about the contributions promoted by community practices to configure new mediated spaces for resignification, socialization and communication of cultural heritage. |
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