Los espacios negados. Crítica cultural y estéticas de escritura en la revista digital El Interpretador (2003-2011)
From a relational point of view, this work starts from considering magazines as artifacts that build a period narrative, in the sense that they incorporate in their textuality a reflexivity about their own doing and the production conditions in which they are immersed. From this perspective, we addr...
Guardado en:
| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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ANarchivo [Facultad de Ciencias de la Comunicación]
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/CIPeCo/article/view/41756 |
| Aporte de: |
| Sumario: | From a relational point of view, this work starts from considering magazines as artifacts that build a period narrative, in the sense that they incorporate in their textuality a reflexivity about their own doing and the production conditions in which they are immersed. From this perspective, we address the experience of El Interpretador (2003-2011) as one of the first cultural and literary magazines that were born digital in Argentina. We wonder what links the magazine established with its present, so significant since the turn of the century, and how these publications process the legacies of the critical tradition. In short, we think about the problem of temporal experience in these cultural artifacts, and we recognize their symptomatic inscription in the textual corpus. |
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