The omnipotent whiteness: the treatment of Civil Rights in the American Hollywood cinema. Three paradigmatic examples of commercial success

The presence of the African-American community in North American cinema dates back of the beginning of the seventh art. However, the relationship between the representation of whites and blacks on the screen was always uneven. With the passing of time Hollywood has seen an evolution in the forms of...

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Detalles Bibliográficos
Autor principal: Cossalter, Javier
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
Materias:
Hollywood
Blancos y negros
Derechos Civiles
Racismo
Whites and blacks
Civil rights
Racism
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22771
Aporte de:
Ética y Cine Journal de Universidad Nacional de Córdoba

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