Pseudo Heroines: Inclusion by Exclusion of the Feminine
Ridley Scott’s film G. I. Jane about women discrimination in the army and their right to be included presents a paradoxical solution: women’s inclusion in the army is accepted only if they choose to resign their feminity and become males. Freudian theory about the army and it´s conformation as an ar...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2019
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/25092 |
| Aporte de: |
| Sumario: | Ridley Scott’s film G. I. Jane about women discrimination in the army and their right to be included presents a paradoxical solution: women’s inclusion in the army is accepted only if they choose to resign their feminity and become males. Freudian theory about the army and it´s conformation as an artificial mass can be articulated with Lacan´s sexual scheme from his 20° seminary, so as to notice that the mass conformation is based in a male logic that segregates woman in order to believe in the love of One exception to castration: the Leader |
|---|