Declassification of secret archives: politics and police in the becoming of human rights.
Starting from the phenomenon of declassification of secret files associated with violence on human rights, we are interested in observing some cases of declassification debated between two types: state policies, Chile Declassification Project (1999); and community micropolitics derived from art, Des...
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Facultad de Filosofía y Humanidades. Escuela de Letras
2018
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I10-R333-article-226422019-12-27T16:18:41Z Declassification of secret archives: politics and police in the becoming of human rights. Desclasificación de archivos secretos: política y policía en el devenir de los derechos humanos. Gómez Moya, Cristian Archives declassification human rights art politics. Archivos desclasificación derechos humanos arte política. Starting from the phenomenon of declassification of secret files associated with violence on human rights, we are interested in observing some cases of declassification debated between two types: state policies, Chile Declassification Project (1999); and community micropolitics derived from art, Desclasificación Popular (2014). Considering the secret dimension of these archives, as well as the historical-political problem that they reveal, these cases will be relevant to us to examine the aesthetic regime of declassification, whose strange dimension we will address through the categories proposed by Rancière, such as the politics and the police. Partiendo del fenómeno de la desclasificación de archivos secretos asociados con la violencia sobre derechos humanos, nos interesa observar algunos casos de desclasificación que se debaten entre las políticas estatales, Chile Declassification Project (1999); y las micropolíticas comunitarias derivadas del arte, Desclasificación Popular (2014). Considerando la dimensión secreta de estos archivos, así como el problema histórico-político que revelan, dichos casos nos resultarán pertinentes para examinar el régimen estético de la desclasificación, cuya extraña dimensión abordaremos por medio de categorías rancièreanas como la política y la policía. Facultad de Filosofía y Humanidades. Escuela de Letras 2018-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22642 Heterotopías; Vol. 1 No. 2 (2018): El archivo en la cultura contemporánea: políticas de la inscripción Heterotopías; Vol. 1 Núm. 2 (2018): El archivo en la cultura contemporánea: políticas de la inscripción 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22642/22397 Derechos de autor 2018 Heterotopías |
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Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-333 |
container_title_str |
Heterotopías |
language |
Español |
format |
Artículo revista |
topic |
Archives declassification human rights art politics. Archivos desclasificación derechos humanos arte política. |
spellingShingle |
Archives declassification human rights art politics. Archivos desclasificación derechos humanos arte política. Gómez Moya, Cristian Declassification of secret archives: politics and police in the becoming of human rights. |
topic_facet |
Archives declassification human rights art politics. Archivos desclasificación derechos humanos arte política. |
author |
Gómez Moya, Cristian |
author_facet |
Gómez Moya, Cristian |
author_sort |
Gómez Moya, Cristian |
title |
Declassification of secret archives: politics and police in the becoming of human rights. |
title_short |
Declassification of secret archives: politics and police in the becoming of human rights. |
title_full |
Declassification of secret archives: politics and police in the becoming of human rights. |
title_fullStr |
Declassification of secret archives: politics and police in the becoming of human rights. |
title_full_unstemmed |
Declassification of secret archives: politics and police in the becoming of human rights. |
title_sort |
declassification of secret archives: politics and police in the becoming of human rights. |
description |
Starting from the phenomenon of declassification of secret files associated with violence on human rights, we are interested in observing some cases of declassification debated between two types: state policies, Chile Declassification Project (1999); and community micropolitics derived from art, Desclasificación Popular (2014). Considering the secret dimension of these archives, as well as the historical-political problem that they reveal, these cases will be relevant to us to examine the aesthetic regime of declassification, whose strange dimension we will address through the categories proposed by Rancière, such as the politics and the police. |
publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
publishDate |
2018 |
url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22642 |
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AT gomezmoyacristian declassificationofsecretarchivespoliticsandpoliceinthebecomingofhumanrights AT gomezmoyacristian desclasificaciondearchivossecretospoliticaypoliciaeneldevenirdelosderechoshumanos |
first_indexed |
2024-09-03T21:09:08Z |
last_indexed |
2024-09-03T21:09:08Z |
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