A fable on the way: almost a novel by Juan l. Ortiz
This work tries to make a closed, immanent reading of an extensive poem by Juan L. Ortiz, from his last years. The analysis focuses on two areas of problems: on the one hand, the question of the narrative, the narrative included in the poem and its relationship to the traditional theme of travel or,...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/27264 |
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I10-R333-article-272642020-02-27T15:31:21Z A fable on the way: almost a novel by Juan l. Ortiz Una fábula en ruta: casi una novela de Juan l. Ortiz Mattoni, Silvio This work tries to make a closed, immanent reading of an extensive poem by Juan L. Ortiz, from his last years. The analysis focuses on two areas of problems: on the one hand, the question of the narrative, the narrative included in the poem and its relationship to the traditional theme of travel or, more broadly, the verbal representation of displacement; on the other hand, the problem of the lyrical form, of that can characterize it in the plane of elocution and in the disposition of that can still be considered as its rhythmic unity, that is, the verse. To do this, we establish relationships with the old Aristotelian differences and their problems of translation between fable, action and composition, that if we took them literally, from the survivals of the Greek language in the present, they could be stated as follows: myth, praxis and synthesis. Without forgetting that also “fable”, which translates thus into Latin the most general “myth”, is sometimes said in Greek logos, that for Aristotle it is sometimes the theme or argument of the work, and other times the language with which it is performed, which includes metrics, rhythm. In the modernity of the poem studied we will see therefore the contemporary drifts of the genre that in part assumes and in part tensions, since not only figuratively a fable, not only narrates and reflects, but also and above all subordinates syntax and communicative convention to the twists of a primacy of verbal matter (sound, graphic, paratactic). Este trabajo se propone realizar una lectura cerrada, inmanente, de un poema extenso de Juan L. Ortiz, de sus últimos años. El análisis se concentra en dos ámbitos de problemas: por un lado, la cuestión del relato, de la narración incluida en el poema y sus relaciones con el tema tradicional del viaje o, más ampliamente, la representación verbal del desplazamiento; por otro lado, el problema de la forma lírica, de aquello que puede caracterizarla en el plano de la elocución y en la disposición de lo que todavía en la actualidad puede considerarse su unidad rítmica, es decir, el verso. Para ello, establecemos relaciones con las antiguas diferenciaciones aristotélicas y sus problemáticas de traducción entre fábula, acción y composición que, si las tomásemos literalmente, a partir de las supervivencias de la lengua griega en el presente, podrían enunciarse así: mito, praxis y síntesis. Sin olvidar que también “fábula”, que traduce así al latín el más general “mito”, se dice a veces en griego logos, que para Aristóteles unas veces es el tema o el argumento de la obra, y otras veces el lenguaje con el que se realiza, que incluye métrica, ritmo. En la modernidad del poema estudiado veremos pues las derivas contemporáneas del género que en parte asume y en parte tensiona, puesto que no solo figurativiza una fábula, no solo narra y reflexiona, sino que también, y sobre todo, subordina la sintaxis y la convención comunicativa a las torsiones de una primacía de la materia verbal (sonora, gráfica, paratáctica). Facultad de Filosofía y Humanidades. Escuela de Letras 2019-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Scientific articles Artículos científicos application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/27264 Heterotopías; Vol. 2 No. 4 (2019): “Languages and dissenting speeches”; 1-13 Heterotopías; Vol. 2 Núm. 4 (2019): “Lenguas y discursos disidentes”; 1-13 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/27264/28927 Derechos de autor 2019 Heterotopías |
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Universidad Nacional de Córdoba |
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I-10 |
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R-333 |
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Heterotopías |
| language |
Español |
| format |
Artículo revista |
| author |
Mattoni, Silvio |
| spellingShingle |
Mattoni, Silvio A fable on the way: almost a novel by Juan l. Ortiz |
| author_facet |
Mattoni, Silvio |
| author_sort |
Mattoni, Silvio |
| title |
A fable on the way: almost a novel by Juan l. Ortiz |
| title_short |
A fable on the way: almost a novel by Juan l. Ortiz |
| title_full |
A fable on the way: almost a novel by Juan l. Ortiz |
| title_fullStr |
A fable on the way: almost a novel by Juan l. Ortiz |
| title_full_unstemmed |
A fable on the way: almost a novel by Juan l. Ortiz |
| title_sort |
fable on the way: almost a novel by juan l. ortiz |
| description |
This work tries to make a closed, immanent reading of an extensive poem by Juan L. Ortiz, from his last years. The analysis focuses on two areas of problems: on the one hand, the question of the narrative, the narrative included in the poem and its relationship to the traditional theme of travel or, more broadly, the verbal representation of displacement; on the other hand, the problem of the lyrical form, of that can characterize it in the plane of elocution and in the disposition of that can still be considered as its rhythmic unity, that is, the verse. To do this, we establish relationships with the old Aristotelian differences and their problems of translation between fable, action and composition, that if we took them literally, from the survivals of the Greek language in the present, they could be stated as follows: myth, praxis and synthesis. Without forgetting that also “fable”, which translates thus into Latin the most general “myth”, is sometimes said in Greek logos, that for Aristotle it is sometimes the theme or argument of the work, and other times the language with which it is performed, which includes metrics, rhythm.
In the modernity of the poem studied we will see therefore the contemporary drifts of the genre that in part assumes and in part tensions, since not only figuratively a fable, not only narrates and reflects, but also and above all subordinates syntax and communicative convention to the twists of a primacy of verbal matter (sound, graphic, paratactic).
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| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/27264 |
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