Creatures in the Water Made of Plants and Plastics
The present work rehearses a writing based on the performance practice “Pasear: prácticas para la interacción social”, Preludio platform project (Centro de Producción e Investigación en Artes, Universidad Nacional de Córdoba). The proposal “Pasear...” consists of a collective walk or stroll along th...
Guardado en:
| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2022
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| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/38679 |
| Aporte de: |
| Sumario: | The present work rehearses a writing based on the performance practice “Pasear: prácticas para la interacción social”, Preludio platform project (Centro de Producción e Investigación en Artes, Universidad Nacional de Córdoba). The proposal “Pasear...” consists of a collective walk or stroll along the banks of the Suquía River in Córdoba. This action is activated through a series of guidelines and invitations that keep the group of walkers connected with each other. These guidelines are crossed by restrictions and protocols established by the government for health care.
We start from the collaborative work between two projects (Walk and Artistic imaginations around the ends and revivals) and open a precarious interstitial space of writing in the midst of sympoietic paths, aesthetic practices and politics of displacement, movement. We rehearse the immersion, statement and slogan of Preludios's invitation to these walks, as a writing practice. Can this writing appear as a form of immersion? What atmosphere takes place between these bodies in movement, while they walk, while they write? |
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