Inscription of the Myth The Family in the Television Series The Appeared One, of Mariano Rosa

The aim of this article is to analyze the inclusion of the myth El Familiar in the TV series El Aparecido (2011) by Mariano Rosa. This series, filmed in inland Salta and with an experimental format, narrates the story of the kolla Bernabé Montellanos, a Pachamama's envoy who —personifying the i...

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Autor principal: Aban, Ana Gabriela
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019
Materias:
mythology
andean culture
nation
power decolonization
El Aparecido
mitología
cultura andina
nación
de-colonilidad del poder
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/27017
Aporte de:
Recial de Universidad Nacional de Córdoba
id I10-R377-article-27017
record_format ojs
spelling I10-R377-article-270172020-07-09T23:15:38Z Inscription of the Myth The Family in the Television Series The Appeared One, of Mariano Rosa Inscripción del mito “El familiar” en la serie televisiva El aparecido, de Mariano Rosa Aban, Ana Gabriela mythology andean culture nation power decolonization El Aparecido mitología cultura andina nación de-colonilidad del poder El Aparecido The aim of this article is to analyze the inclusion of the myth El Familiar in the TV series El Aparecido (2011) by Mariano Rosa. This series, filmed in inland Salta and with an experimental format, narrates the story of the kolla Bernabé Montellanos, a Pachamama's envoy who —personifying the image of the vigilante— comes back to life in order to face El Familiar. El Familiar is a product of the rural folklore of the Argentine Northwest that is born with the sugar industry. From the analysis of the series' plot, the resignification and andeanization of this myth are postulated since there is an inversion of its Christian foundation, in light of a critical assessment of the colonial power structures in the Argentine Northwest, and its survival within the framework of the modern State-Nation. Several conclusions are drawn, among them, it is worth highlighting the presence of a political dimension in El Aparecido that is in correspondence with a process of democratization and federalization of contemporary television fictions resulting from the implementation of the Law on Audiovisual Communication Services; thus, contributing to the creation of a national television identity which is more inclusive and less centralist. En este artículo se propone analizar la inscripción del mito El Familiar en la serie televisiva de ficción El Aparecido (2011) de Mariano Rosa. Filmada en el interior de Salta, y desde un formato experimental, la serie narra la historia del kolla Bernabé Montellanos, un enviado de la Pachamama que -encarnando la figura del justiciero- regresa de la muerte para enfrentarse con El Familiar. Entendiendo que El Familiar es un emergente del folclore rural del Noroeste Argentino que nace con la industria azucarera, a partir del análisis de la trama argumental de la serie, se postula la resignificación y andinización del mito ya que se produce una inversión de su base cristiana, a la luz de una evaluación crítica de las estructuras coloniales de poder en el NOA y su supervivencia en el marco del Estado-Nación moderno. Entre las conclusiones a las que se arriba, cabe destacar, la presencia de una dimensión política en El Aparecido que entra en consonancia con un proceso de democratización y federalización de ficciones televisivas contemporáneas resultantes de la implementación de la Ley de Servicios de Comunicación Audiovisual; contribuyendo, así, a la construcción de una identidad televisiva nacional más inclusiva y menos centralista. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/27017 10.53971/2718.658x.v10.n16.27017 Recial; Vol. 10 Núm. 16 (2019): Dossier: Nuevas articulaciones entre Folclore, Política y Nación en América Latina 2718-658X 1853-4112 10.53971/2718.658x.v10.n16 spa https://revistas.unc.edu.ar/index.php/recial/article/view/27017/28666 https://revistas.unc.edu.ar/index.php/recial/article/view/27017/28667
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic mythology
andean culture
nation
power decolonization
El Aparecido
mitología
cultura andina
nación
de-colonilidad del poder
El Aparecido
spellingShingle mythology
andean culture
nation
power decolonization
El Aparecido
mitología
cultura andina
nación
de-colonilidad del poder
El Aparecido
Aban, Ana Gabriela
Inscription of the Myth The Family in the Television Series The Appeared One, of Mariano Rosa
topic_facet mythology
andean culture
nation
power decolonization
El Aparecido
mitología
cultura andina
nación
de-colonilidad del poder
El Aparecido
author Aban, Ana Gabriela
author_facet Aban, Ana Gabriela
author_sort Aban, Ana Gabriela
title Inscription of the Myth The Family in the Television Series The Appeared One, of Mariano Rosa
title_short Inscription of the Myth The Family in the Television Series The Appeared One, of Mariano Rosa
title_full Inscription of the Myth The Family in the Television Series The Appeared One, of Mariano Rosa
title_fullStr Inscription of the Myth The Family in the Television Series The Appeared One, of Mariano Rosa
title_full_unstemmed Inscription of the Myth The Family in the Television Series The Appeared One, of Mariano Rosa
title_sort inscription of the myth the family in the television series the appeared one, of mariano rosa
description The aim of this article is to analyze the inclusion of the myth El Familiar in the TV series El Aparecido (2011) by Mariano Rosa. This series, filmed in inland Salta and with an experimental format, narrates the story of the kolla Bernabé Montellanos, a Pachamama's envoy who —personifying the image of the vigilante— comes back to life in order to face El Familiar. El Familiar is a product of the rural folklore of the Argentine Northwest that is born with the sugar industry. From the analysis of the series' plot, the resignification and andeanization of this myth are postulated since there is an inversion of its Christian foundation, in light of a critical assessment of the colonial power structures in the Argentine Northwest, and its survival within the framework of the modern State-Nation. Several conclusions are drawn, among them, it is worth highlighting the presence of a political dimension in El Aparecido that is in correspondence with a process of democratization and federalization of contemporary television fictions resulting from the implementation of the Law on Audiovisual Communication Services; thus, contributing to the creation of a national television identity which is more inclusive and less centralist.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2019
url https://revistas.unc.edu.ar/index.php/recial/article/view/27017
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first_indexed 2024-09-03T23:08:04Z
last_indexed 2024-09-03T23:08:04Z
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