La poesia posmoderna de Rae Armantrout: Problemas traductológicos en Versed

The poetry of Rae Armantrout, postmodern American writer, is characterized by its heteroglossia and its exploration of words and their meanings. Reproducing Armantrout’s formal and semantic effects in the translated versions of her poetry into Spanish is, undoubtedly, a complex task that requires mu...

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Autor principal: Beroiz, Lucia
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2014
Materias:
traducción
efecto
cambio
enfásis
reescritura
translation
effect
shift
emphasis
rewriting
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/9584
Aporte de:
Recial de Universidad Nacional de Córdoba
id I10-R377-article-9584
record_format ojs
spelling I10-R377-article-95842018-11-14T12:27:41Z La poesia posmoderna de Rae Armantrout: Problemas traductológicos en Versed Beroiz, Lucia traducción efecto cambio enfásis reescritura translation effect shift emphasis rewriting The poetry of Rae Armantrout, postmodern American writer, is characterized by its heteroglossia and its exploration of words and their meanings. Reproducing Armantrout’s formal and semantic effects in the translated versions of her poetry into Spanish is, undoubtedly, a complex task that requires multiple rewritings and creative strategies. Every translation implies a reintegration in the importing culture that needs changes or “shifts” of different kinds: obligatory – those that have to do with the different structures the original and the receiving languages present – and non-obligatory – those introduced by the translator, unrelated to the differences between languages. In addition, every rewriting, if we understand the translation process as a creative process that derives from the dialogic interplay between texts, implies an experiment of omission and emphasis that must consider the phono-morphological, syntactic, semantic, and metrical dimensions. This study analyzes these translation issues in the rewriting in Spanish of Versed (2009), Armantrout’s anthology recognized with the Pulitzer Prize of Poetry in 2010, with the objective of considering the changes and adaptations that take place in the translated versions of this poet’s work. La poesía de Rae Armantrout, escritora posmoderna estadounidense, se caracteriza por su conformación heteroglósica y una estética que se basa en la exploración de las palabras y sus significados. Reproducir los efectos estéticos y semánticos de Armantrout en las versiones de sus poemas traducidos al castellano es sin duda una tarea compleja que requiere continuas reescrituras y exige estrategias creativas. Toda traducción implica una reinserción en la cultura importadora que necesita transformaciones, cambios obligatorios – que se atribuyen a las distintas estructuras de la lengua de partida y la lengua meta – y cambios no obligatorios – introducidos por el traductor pero que no derivan de las diferencias entre lenguas. Además, toda reescritura, si entendemos el proceso traslaticio como un proceso creativo que surge de una orquestación dialógica entre textos, supone un experimento de omisiones y enfásis que debe considerar las dimensiones fónico- morfológica, sintáctica, temática, y métrica. Este estudio analiza estas cuestiones traductológicas en la reescritura en castellano de Versed (2009), la antología de Armantrout que recibiera el Premio Pulitzer de Poesía en 2010, con el objetivo de considerar las modificaciones y adaptaciones que surgen de la reescritura de la poesía de esta autora en otra lengua. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2014-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/9584 10.53971/2718.658x.v5.n5-6.9584 Recial; Vol. 5 Núm. 5-6 (2014): Dossier: Traducción Literaria 2718-658X 1853-4112 10.53971/2718.658x.v5.n5-6 spa https://revistas.unc.edu.ar/index.php/recial/article/view/9584/10352 https://revistas.unc.edu.ar/index.php/recial/article/view/9584/html Derechos de autor 2014 RECIAL | Revista del CIFFyH Área Letras
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic traducción
efecto
cambio
enfásis
reescritura
translation
effect
shift
emphasis
rewriting
spellingShingle traducción
efecto
cambio
enfásis
reescritura
translation
effect
shift
emphasis
rewriting
Beroiz, Lucia
La poesia posmoderna de Rae Armantrout: Problemas traductológicos en Versed
topic_facet traducción
efecto
cambio
enfásis
reescritura
translation
effect
shift
emphasis
rewriting
author Beroiz, Lucia
author_facet Beroiz, Lucia
author_sort Beroiz, Lucia
title La poesia posmoderna de Rae Armantrout: Problemas traductológicos en Versed
title_short La poesia posmoderna de Rae Armantrout: Problemas traductológicos en Versed
title_full La poesia posmoderna de Rae Armantrout: Problemas traductológicos en Versed
title_fullStr La poesia posmoderna de Rae Armantrout: Problemas traductológicos en Versed
title_full_unstemmed La poesia posmoderna de Rae Armantrout: Problemas traductológicos en Versed
title_sort la poesia posmoderna de rae armantrout: problemas traductológicos en versed
description The poetry of Rae Armantrout, postmodern American writer, is characterized by its heteroglossia and its exploration of words and their meanings. Reproducing Armantrout’s formal and semantic effects in the translated versions of her poetry into Spanish is, undoubtedly, a complex task that requires multiple rewritings and creative strategies. Every translation implies a reintegration in the importing culture that needs changes or “shifts” of different kinds: obligatory – those that have to do with the different structures the original and the receiving languages present – and non-obligatory – those introduced by the translator, unrelated to the differences between languages. In addition, every rewriting, if we understand the translation process as a creative process that derives from the dialogic interplay between texts, implies an experiment of omission and emphasis that must consider the phono-morphological, syntactic, semantic, and metrical dimensions. This study analyzes these translation issues in the rewriting in Spanish of Versed (2009), Armantrout’s anthology recognized with the Pulitzer Prize of Poetry in 2010, with the objective of considering the changes and adaptations that take place in the translated versions of this poet’s work.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2014
url https://revistas.unc.edu.ar/index.php/recial/article/view/9584
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first_indexed 2024-09-03T23:08:47Z
last_indexed 2024-09-03T23:08:47Z
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