The case of Dirty Hearts Film ‘another story’ about Japanese migration in Brazil
Contexts, images and imaginations about migrants are narrated and represented in various ways. Literature and cinema are two of them. Both offer an immediate and complete portrait that evades the complexity of the analysis. This work is a critical exercise to clarify the representation of a group of...
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Universidad Nacional de Rosario
2019
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| Acceso en línea: | https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/74 |
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I15-R203-article-74 |
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I15-R203-article-742022-07-09T04:19:41Z The case of Dirty Hearts Film ‘another story’ about Japanese migration in Brazil El caso de Corazones Sucios ‘otra historia’ sobre la migración japonesa en Brasil Loaiza Becerra, Martha Dirty hearts Film Images Japanese migration Brazil Corazones sucios Brasil Cine Imágenes Migración japonesa Contexts, images and imaginations about migrants are narrated and represented in various ways. Literature and cinema are two of them. Both offer an immediate and complete portrait that evades the complexity of the analysis. This work is a critical exercise to clarify the representation of a group of Japanese migrants in Brazil and their actions, after the surrender of Japan, as a historical phenomenon through images. The main sources are the film Dirty Hearts by director Vicente Amorim and the homonymous work of literary journalism by Fernando Morais on which the script is based. The questions that arise are basic: Who speaks to whom? What is said? With what intentions is said? What are the expected results? Particularly, the connections between the spatial, cultural and historical contexts of the visually narrated phenomenon must be explained. The film work is not harmless. Therefore, it becomes historical evidence, becoming discourse. , , , Los contextos, imágenes e imaginaciones sobre los migrantes se narran y representan de diversas maneras. La literatura y el cine son dos de ellas. Ambas, ofrecen un retrato inmediato y completo que evade la complejidad del análisis. Este trabajo es un ejercicio crítico para clarificar la representación de un grupo de migrantes japoneses en Brasil y sus acciones, tras la rendición de Japón, como fenómeno histórico mediante las imágenes. Las fuentes principales son la película Corazones Sucios del director Vicente Amorim y la obra homónima de periodismo literario de Fernando Morais en la que se sustenta el guión. Las preguntas que se plantean son básicas: ¿Quién habla a quién? ¿Qué es lo que se dice? ¿Con qué intenciones se dice? ¿Cuáles son los resultados esperados? Particularmente, las conexiones entre los contextos espaciales, culturales e históricos del fenómeno narrado visualmente deben explicarse. La obra fílmica no es inocua. Por eso, deviene en evidencia histórica, convirtiéndose en discurso. Universidad Nacional de Rosario 2019-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/74 10.35305/prcs.v0i8.74 Perspectivas Revista de Ciencias Sociales; Vol. 4 No. 8 (2019): Perspectivas Revista de Ciencias Sociales No. 8 Julio-Diciembre 2019; 478-485 Perspectivas Revista de Ciencias Sociales; Vol. 4 Núm. 8 (2019): Perspectivas Revista de Ciencias Sociales No. 8 Julio-Diciembre 2019; 478-485 2525-1112 spa https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/74/60 Derechos de autor 2019 Perspectivas Revista de Ciencias Sociales |
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Universidad Nacional de Rosario |
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I-15 |
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R-203 |
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Perspectivas – Revista de Ciencias Sociales |
| language |
Español |
| format |
Artículo revista |
| topic |
Dirty hearts Film Images Japanese migration Brazil Corazones sucios Brasil Cine Imágenes Migración japonesa |
| spellingShingle |
Dirty hearts Film Images Japanese migration Brazil Corazones sucios Brasil Cine Imágenes Migración japonesa Loaiza Becerra, Martha The case of Dirty Hearts Film ‘another story’ about Japanese migration in Brazil |
| topic_facet |
Dirty hearts Film Images Japanese migration Brazil Corazones sucios Brasil Cine Imágenes Migración japonesa |
| author |
Loaiza Becerra, Martha |
| author_facet |
Loaiza Becerra, Martha |
| author_sort |
Loaiza Becerra, Martha |
| title |
The case of Dirty Hearts Film ‘another story’ about Japanese migration in Brazil |
| title_short |
The case of Dirty Hearts Film ‘another story’ about Japanese migration in Brazil |
| title_full |
The case of Dirty Hearts Film ‘another story’ about Japanese migration in Brazil |
| title_fullStr |
The case of Dirty Hearts Film ‘another story’ about Japanese migration in Brazil |
| title_full_unstemmed |
The case of Dirty Hearts Film ‘another story’ about Japanese migration in Brazil |
| title_sort |
case of dirty hearts film ‘another story’ about japanese migration in brazil |
| description |
Contexts, images and imaginations about migrants are narrated and represented in various ways. Literature and cinema are two of them. Both offer an immediate and complete portrait that evades the complexity of the analysis. This work is a critical exercise to clarify the representation of a group of Japanese migrants in Brazil and their actions, after the surrender of Japan, as a historical phenomenon through images. The main sources are the film Dirty Hearts by director Vicente Amorim and the homonymous work of literary journalism by Fernando Morais on which the script is based. The questions that arise are basic: Who speaks to whom? What is said? With what intentions is said? What are the expected results? Particularly, the connections between the spatial, cultural and historical contexts of the visually narrated phenomenon must be explained. The film work is not harmless. Therefore, it becomes historical evidence, becoming discourse.
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| publisher |
Universidad Nacional de Rosario |
| publishDate |
2019 |
| url |
https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/74 |
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