El ojo parpadeante del poema: derivas críticas de la imagen objetiva en la poesía argentina contemporánea
In this paper, I propose a critic revision on poems by Fabián Casas, Martín Gambarotta, Daniel García Helder y Martín Prieto in order to specify and analyze different moments in where objective images are dismantled, producing the shift to another regime of seeing, based on a subtracted image, and r...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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CETYCLI
2017
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| Acceso en línea: | https://badebec.unr.edu.ar/index.php/badebec/article/view/179 |
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| Sumario: | In this paper, I propose a critic revision on poems by Fabián Casas, Martín Gambarotta, Daniel García Helder y Martín Prieto in order to specify and analyze different moments in where objective images are dismantled, producing the shift to another regime of seeing, based on a subtracted image, and related to a criticism of the visual, centered, in turn, on a temporality which reveals the distance and mismatch between perception and writing. |
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