Julio Barcos, behind the scenes of a reply against "La Doble Amenaza" lugoniana. Between feminism and revolution. Absences and Presences

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The present work is a reflection about the distinctive characteristics assumed in the confrontation of Julio Barcos starting from the plots of a challenging anarchism. His scientific treaty “The Double Threat” swiftly faces the paradoxes expressed by Leopoldo Lugones in Theather Coliseo’s conference...

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Autor principal: Pons, Adriana
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Rosario 2026
Materias:
Anarquismo
Nacionalismo
Revolución
Feminismo
Anarchism
Nationalism
Revolution
Feminism
Acceso en línea:https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/189
Aporte de:
Cuadernos del CIESAL de Universidad Nacional de Rosario
id I15-R228-article-189
record_format ojs
spelling I15-R228-article-1892026-03-19T22:50:50Z Julio Barcos, behind the scenes of a reply against "La Doble Amenaza" lugoniana. Between feminism and revolution. Absences and Presences Julio Barcos, entretelones de una réplica contra “La Doble Amenaza” lugoniana. Entre el feminismo y la revolución. Ausencias y Presencias Pons, Adriana Anarquismo Nacionalismo Revolución Feminismo Anarchism Nationalism Revolution Feminism The present work is a reflection about the distinctive characteristics assumed in the confrontation of Julio Barcos starting from the plots of a challenging anarchism. His scientific treaty “The Double Threat” swiftly faces the paradoxes expressed by Leopoldo Lugones in Theather Coliseo’s conferences from the winter of 1923, as a nationalistic and conservative colophon of the right-wing politics. Specifically, we are interested in highlighting two matters found within the anarchist world, signed by an exceptional juncture; on the one hand, to ponder the specific value attributed to the working class as a revolutionary subject and on the other hand, to reflect about the absence and presence of the gender ideology enclosed in this debate. El presente trabajo es una reflexión sobre las características distintivas que asume la confrontación de Julio Barcos desde las tramas de un anarquismo desafiante. Su opúsculo “La Doble Amenaza” rápidamente enfrenta las aporías expresadas por Leopoldo Lugones en las conferencias del Teatro Coliseo del invierno de 1923, como colofón de la derecha nacionalista y conservadora. Específicamente nos interesa resaltar dos cuestiones inscriptas al interior del mundo ácrata, signadas por una coyuntura excepcional; por un lado, sopesar el peso específico otorgado a la clase obrera como sujeto revolucionario y por el otro reflexionar sobre la ausencia y presencia de la cuestión de género en el cuerpo textual de aquel debate. Universidad Nacional de Rosario 2026-03-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf text/html https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/189 Cuadernos del Ciesal; Núm. 18 (2019); 48-72 1853-8827 spa https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/189/318 https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/189/319 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-228
container_title_str Cuadernos del CIESAL
language Español
format Artículo revista
topic Anarquismo
Nacionalismo
Revolución
Feminismo
Anarchism
Nationalism
Revolution
Feminism
spellingShingle Anarquismo
Nacionalismo
Revolución
Feminismo
Anarchism
Nationalism
Revolution
Feminism
Pons, Adriana
Julio Barcos, behind the scenes of a reply against "La Doble Amenaza" lugoniana. Between feminism and revolution. Absences and Presences
topic_facet Anarquismo
Nacionalismo
Revolución
Feminismo
Anarchism
Nationalism
Revolution
Feminism
author Pons, Adriana
author_facet Pons, Adriana
author_sort Pons, Adriana
title Julio Barcos, behind the scenes of a reply against "La Doble Amenaza" lugoniana. Between feminism and revolution. Absences and Presences
title_short Julio Barcos, behind the scenes of a reply against "La Doble Amenaza" lugoniana. Between feminism and revolution. Absences and Presences
title_full Julio Barcos, behind the scenes of a reply against "La Doble Amenaza" lugoniana. Between feminism and revolution. Absences and Presences
title_fullStr Julio Barcos, behind the scenes of a reply against "La Doble Amenaza" lugoniana. Between feminism and revolution. Absences and Presences
title_full_unstemmed Julio Barcos, behind the scenes of a reply against "La Doble Amenaza" lugoniana. Between feminism and revolution. Absences and Presences
title_sort julio barcos, behind the scenes of a reply against "la doble amenaza" lugoniana. between feminism and revolution. absences and presences
description The present work is a reflection about the distinctive characteristics assumed in the confrontation of Julio Barcos starting from the plots of a challenging anarchism. His scientific treaty “The Double Threat” swiftly faces the paradoxes expressed by Leopoldo Lugones in Theather Coliseo’s conferences from the winter of 1923, as a nationalistic and conservative colophon of the right-wing politics. Specifically, we are interested in highlighting two matters found within the anarchist world, signed by an exceptional juncture; on the one hand, to ponder the specific value attributed to the working class as a revolutionary subject and on the other hand, to reflect about the absence and presence of the gender ideology enclosed in this debate.
publisher Universidad Nacional de Rosario
publishDate 2026
url https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/189
work_keys_str_mv AT ponsadriana juliobarcosbehindthescenesofareplyagainstladobleamenazalugonianabetweenfeminismandrevolutionabsencesandpresences
AT ponsadriana juliobarcosentretelonesdeunareplicacontraladobleamenazalugonianaentreelfeminismoylarevolucionausenciasypresencias
first_indexed 2026-04-04T05:04:47Z
last_indexed 2026-04-04T05:04:47Z
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