Paths of artistic and political radicalization in Uruguay in 1971
This article presents a study on two cases of articulation between artistic practices and politics that took place within the politicization cycle of the long sixties in Uruguay, around 1971. In that context, the constitution of the Agrupación de Trabajo Cultural within the Movimiento de Independien...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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ISHiR/CONICET
2020
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| Acceso en línea: | https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1323 |
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I15-R239-article-1323 |
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I15-R239-article-13232021-01-28T19:47:22Z Paths of artistic and political radicalization in Uruguay in 1971 Trayectos de la radicalización artística y política en Uruguay en 1971 Pérez Buchelli, Elisa Avant-Garde art politics 1971 Uruguay vanguardia arte política 1971 Uruguay This article presents a study on two cases of articulation between artistic practices and politics that took place within the politicization cycle of the long sixties in Uruguay, around 1971. In that context, the constitution of the Agrupación de Trabajo Cultural within the Movimiento de Independientes 26 de Marzo and the Frente Amplio political party is analyzed. It is taken into consideration, on the one hand, the politicization itinerary of the Uruguayan visual artist Teresa Vila and the development of a series of artworks called “Las veredas de la Patria Chica”. On the other hand, the film "La bandera que levantamos" is examined, made by Uruguayan filmmakers Mario Jacob and Eduardo Terra. The study of both productions reveals some of the main strategies for combining art and politics within the artistic and intellectual field of the time in Uruguay. Este artículo presenta un estudio sobre dos casos de articulación entre prácticas artísticas y lo político que tuvieron lugar dentro del ciclo de politización de los largos sesenta en Uruguay, en torno a 1971. En este contexto, se analiza la constitución de la Agrupación de Trabajo Cultural dentro del Movimiento de Independientes 26 de Marzo y del partido político Frente Amplio. Entre los casos de profundización, se considera el itinerario de politización de la artista visual uruguaya Teresa Vila y su producción de la serie de obras “Las veredas de la Patria Chica”. Asimismo, se examina el film “La bandera que levantamos” de los cineastas uruguayos Mario Jacob y Eduardo Terra, vinculados a la Cinemateca del Tercer Mundo. El estudio de ambas realizaciones pone de manifiesto algunas de las principales estrategias de conjugar arte y política en Uruguay dentro del campo artístico e intelectual de la época. ISHiR/CONICET 2020-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf text/html application/zip https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1323 10.35305/eishir.v10i28.1323 Estudios del ISHiR; Vol. 10 Núm. 28 (2020): Estudios del ISHIR Estudios del ISHiR; Vol. 10 No. 28 (2020): Estudios del ISHIR 2250-4397 spa https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1323/1654 https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1323/1655 https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1323/1656 Derechos de autor 2021 Estudios del ISHiR http://creativecommons.org/licenses/by-nc-nd/4.0 |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-239 |
| container_title_str |
Revista Estudios del ISHIR (CONICET) |
| language |
Español |
| format |
Artículo revista |
| topic |
Avant-Garde art politics 1971 Uruguay vanguardia arte política 1971 Uruguay |
| spellingShingle |
Avant-Garde art politics 1971 Uruguay vanguardia arte política 1971 Uruguay Pérez Buchelli, Elisa Paths of artistic and political radicalization in Uruguay in 1971 |
| topic_facet |
Avant-Garde art politics 1971 Uruguay vanguardia arte política 1971 Uruguay |
| author |
Pérez Buchelli, Elisa |
| author_facet |
Pérez Buchelli, Elisa |
| author_sort |
Pérez Buchelli, Elisa |
| title |
Paths of artistic and political radicalization in Uruguay in 1971 |
| title_short |
Paths of artistic and political radicalization in Uruguay in 1971 |
| title_full |
Paths of artistic and political radicalization in Uruguay in 1971 |
| title_fullStr |
Paths of artistic and political radicalization in Uruguay in 1971 |
| title_full_unstemmed |
Paths of artistic and political radicalization in Uruguay in 1971 |
| title_sort |
paths of artistic and political radicalization in uruguay in 1971 |
| description |
This article presents a study on two cases of articulation between artistic practices and politics that took place within the politicization cycle of the long sixties in Uruguay, around 1971. In that context, the constitution of the Agrupación de Trabajo Cultural within the Movimiento de Independientes 26 de Marzo and the Frente Amplio political party is analyzed. It is taken into consideration, on the one hand, the politicization itinerary of the Uruguayan visual artist Teresa Vila and the development of a series of artworks called “Las veredas de la Patria Chica”. On the other hand, the film "La bandera que levantamos" is examined, made by Uruguayan filmmakers Mario Jacob and Eduardo Terra. The study of both productions reveals some of the main strategies for combining art and politics within the artistic and intellectual field of the time in Uruguay. |
| publisher |
ISHiR/CONICET |
| publishDate |
2020 |
| url |
https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1323 |
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AT perezbuchellielisa pathsofartisticandpoliticalradicalizationinuruguayin1971 AT perezbuchellielisa trayectosdelaradicalizacionartisticaypoliticaenuruguayen1971 |
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2023-06-26T22:55:24Z |
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2023-06-26T22:55:24Z |
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1769807674659045376 |