The third element in the Pau Brasil Movement

This article is aimed at giving a different insight into the relationship of the poet Blaise Cendrars with the Brazilian modernists. Blaise Cendrars is seen by the literary critics as directly responsible for the nationalist turn in the Brazilian Modernism, and is also seen as a guide for the Brazil...

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Detalles Bibliográficos
Autor principal: Batista, Eduardo Luis Araújo de Oliveira
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: ITINERÁRIOS – Revue de Littérature 2012
Materias:
Acceso en línea:http://seer.fclar.unesp.br/itinerarios/article/view/4865
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-048&d=article4865oai
Aporte de:
id I16-R122-article4865oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Portugués
topic Blaise Cendrars; Brazilian Modernism; Tarsila do Amaral; Oswald de Andrade;
Blaise Cendrars; Modernismo brasileiro; Tarsila do Amaral; Oswald de Andrade;
spellingShingle Blaise Cendrars; Brazilian Modernism; Tarsila do Amaral; Oswald de Andrade;
Blaise Cendrars; Modernismo brasileiro; Tarsila do Amaral; Oswald de Andrade;
Batista, Eduardo Luis Araújo de Oliveira
The third element in the Pau Brasil Movement
topic_facet Blaise Cendrars; Brazilian Modernism; Tarsila do Amaral; Oswald de Andrade;
Blaise Cendrars; Modernismo brasileiro; Tarsila do Amaral; Oswald de Andrade;
description This article is aimed at giving a different insight into the relationship of the poet Blaise Cendrars with the Brazilian modernists. Blaise Cendrars is seen by the literary critics as directly responsible for the nationalist turn in the Brazilian Modernism, and is also seen as a guide for the Brazilians artists in their “discovery” of their own nation. Cendrars is presented here as a third element in the “Pau Brasil” movement – composed by Tarsila do Amaral and Oswald de Andrade, the three under the powerful shadow of Paulo Prado. We propose to reverse the traditional idea of a unilateral influence, in which the Brazilians are pointed out as debtors of the famous European poet, to a relationship of reciprocal influences, suggesting a joint effort, which resulted in three works: the books of poems Feuilles de route, by Blaise Cendrars, launched in 1924, Poesia Pau Brasil, by Oswald de Andrade, published in 1925, and the exhibition of the works by Tarsila do Amaral held at Galerie Percier in Paris in 1926.
format Artículo
publishedVersion
Artículo
publishedVersion
author Batista, Eduardo Luis Araújo de Oliveira
author_facet Batista, Eduardo Luis Araújo de Oliveira
author_sort Batista, Eduardo Luis Araújo de Oliveira
title The third element in the Pau Brasil Movement
title_short The third element in the Pau Brasil Movement
title_full The third element in the Pau Brasil Movement
title_fullStr The third element in the Pau Brasil Movement
title_full_unstemmed The third element in the Pau Brasil Movement
title_sort third element in the pau brasil movement
publisher ITINERÁRIOS – Revue de Littérature
publishDate 2012
url http://seer.fclar.unesp.br/itinerarios/article/view/4865
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-048&d=article4865oai
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