The painting of the holy family. A manual of family relationships in the world of the seventeenth-century in Santa Fe
This article is aimed at evaluating the discourse in paintings of the Holy Family made in the seventeenth-century Santa Fe. From the analysis of this set of images it is demonstrated the use of painting by the Catholic Church as a tool to configure an articulated society from families ruled by princ...
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| Formato: | Artículo publishedVersion Artículo revisado por pares |
| Lenguaje: | Español |
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Pontificia Universidad Javeriana
2014
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| Acceso en línea: | http://revistas.javeriana.edu.co/index.php/memoysociedad/article/view/8562 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=co/co-019&d=article8562oai |
| Aporte de: |
| Sumario: | This article is aimed at evaluating the discourse in paintings of the Holy Family made in the seventeenth-century Santa Fe. From the analysis of this set of images it is demonstrated the use of painting by the Catholic Church as a tool to configure an articulated society from families ruled by principles such as piety, chastity and mortification. The analysis is directly related to the problem of building a colonial subject whose physicality is modeled after the images of Christ, the Virgin or the saints. |
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