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Three paintings by Caspar David Friedrich suggest different behaviors of the human being in space, which are generated from the relationship between an observer and the observed object. This relationship is mediated by a device that influences the different raised behaviors or aesthetic categories....
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2023
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Arquisur/article/view/12570 |
| Aporte de: |
| Sumario: | Three paintings by Caspar David Friedrich suggest different behaviors of the human being in space, which are generated from the relationship between an observer and the observed object. This relationship is mediated by a device that influences the different raised behaviors or aesthetic categories. These attitudes and feelings of the characters that inhabit the three paintings are associated with each of their specific environments, whose characteristics favor such reactions. Along with these situations, some architectural works that could be the scenario of the same circumstances posed by Friedrich in his paintings are proposed and briefly described, without considering this parallelism as a complete or strictly biunivocal universe. These works that favor certain ways of perceiving and reacting to what is perceived are here called machines to watch. |
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