Máquinas para mirar
Three paintings by Caspar David Friedrich suggest different behaviors of the human being in space, which are generated from the relationship between an observer and the observed object. This relationship is mediated by a device that influences the different raised behaviors or aesthetic categories....
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2023
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Arquisur/article/view/12570 |
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I26-R133-article-125702023-06-16T11:39:02Z Máquinas para mirar Machines to watch Máquinas para olhar Pantaleón Panaro, Carlos architecture, art, aesthetics, landscape, perception. arquitetura, artes plásticas, estética, paisagem, percepção. arquitectura, artes plásticas, estética, paisaje, percepción. Three paintings by Caspar David Friedrich suggest different behaviors of the human being in space, which are generated from the relationship between an observer and the observed object. This relationship is mediated by a device that influences the different raised behaviors or aesthetic categories. These attitudes and feelings of the characters that inhabit the three paintings are associated with each of their specific environments, whose characteristics favor such reactions. Along with these situations, some architectural works that could be the scenario of the same circumstances posed by Friedrich in his paintings are proposed and briefly described, without considering this parallelism as a complete or strictly biunivocal universe. These works that favor certain ways of perceiving and reacting to what is perceived are here called machines to watch. Tres pinturas de Caspar David Friedrich sugieren al autor diferentes comportamientos del ser humano en el espacio generados a partir de la relación entre un observador y el objeto observado, relación en la que media un dispositivo que incide en los distintos comportamientos o categorías estéticas suscitados. Estas actitudes y sentimientos de los personajes que habitan las tres pinturas están asociados a los ambientes específicos en los que se encuentran y cuyas características favorecen esas reacciones. De manera concomitante con estas situaciones, se proponen y describen brevemente algunas obras de arquitectura que podrían ser escenario de las mismas circunstancias planteadas por Friedrich en sus pinturas, sin que este paralelismo constituya un universo completo ni estrictamente biunívoco. Estas obras que favorecen determinados modos de percibir y reaccionar ante lo percibido son lo que en este trabajo se denomina máquinas para mirar. Três pinturas de Caspar David Friedrich sugerem ao autor diferentes comportamentos do ser humano no espaço gerados a partir da relação entre um observador e o objeto observado, relação na qual media um dispositivo que incide nos diferentes comportamentos ou categorias estéticas suscitados. Estas atitudes e sentimentos dos personagens que habitam as três pinturas estão associados aos ambientes específicos nos quais eles se encontram e cujas características favorecem essas reações. Concomitantemente a estas situações propõem-se e descrevem-se brevemente algumas obras de arquitetura que poderiam ser cenário das mesmas circunstancias propostas por Friedrich nas suas pinturas, sem que este paralelismo constitua um universo completo nem estritamente biunívoco. Estas obras que favorecem determinados modos de perceber e reagir ante o percebido é o que neste trabalho denominam-se máquinas para olhar. Universidad Nacional del Litoral 2023-06-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Arquisur/article/view/12570 10.14409/ar.v13i23.12570 ARQUISUR Revista; Vol. 13 Núm. 23 (2023): ARQUISUR Revista; 32-45 ARQUISUR Revista; Vol. 13 No. 23 (2023): ARQUISUR Revista; 32-45 ARQUISUR Revista; v. 13 n. 23 (2023): ARQUISUR Revista; 32-45 2250-4206 1853-2365 10.14409/ar.v13i23 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Arquisur/article/view/12570/17577 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Arquisur/article/view/12570/17578 Derechos de autor 2023 ARQUISUR Revista https://creativecommons.org/licenses/by-nc-nd/4.0/deed.es |
| institution |
Universidad Nacional del Litoral |
| institution_str |
I-26 |
| repository_str |
R-133 |
| container_title_str |
Biblioteca Virtual - Publicaciones (UNL) |
| language |
Español |
| format |
Artículo revista |
| topic |
architecture, art, aesthetics, landscape, perception. arquitetura, artes plásticas, estética, paisagem, percepção. arquitectura, artes plásticas, estética, paisaje, percepción. |
| spellingShingle |
architecture, art, aesthetics, landscape, perception. arquitetura, artes plásticas, estética, paisagem, percepção. arquitectura, artes plásticas, estética, paisaje, percepción. Pantaleón Panaro, Carlos Máquinas para mirar |
| topic_facet |
architecture, art, aesthetics, landscape, perception. arquitetura, artes plásticas, estética, paisagem, percepção. arquitectura, artes plásticas, estética, paisaje, percepción. |
| author |
Pantaleón Panaro, Carlos |
| author_facet |
Pantaleón Panaro, Carlos |
| author_sort |
Pantaleón Panaro, Carlos |
| title |
Máquinas para mirar |
| title_short |
Máquinas para mirar |
| title_full |
Máquinas para mirar |
| title_fullStr |
Máquinas para mirar |
| title_full_unstemmed |
Máquinas para mirar |
| title_sort |
máquinas para mirar |
| description |
Three paintings by Caspar David Friedrich suggest different behaviors of the human being in space, which are generated from the relationship between an observer and the observed object. This relationship is mediated by a device that influences the different raised behaviors or aesthetic categories. These attitudes and feelings of the characters that inhabit the three paintings are associated with each of their specific environments, whose characteristics favor such reactions. Along with these situations, some architectural works that could be the scenario of the same circumstances posed by Friedrich in his paintings are proposed and briefly described, without considering this parallelism as a complete or strictly biunivocal universe. These works that favor certain ways of perceiving and reacting to what is perceived are here called machines to watch. |
| publisher |
Universidad Nacional del Litoral |
| publishDate |
2023 |
| url |
https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Arquisur/article/view/12570 |
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| first_indexed |
2023-06-21T23:05:42Z |
| last_indexed |
2023-06-21T23:05:42Z |
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