El videoclip como ventana de lo posible: Ficciones de lo disidente en «It's raining men»

In this article we analyze, from a feminist perspective, the video clip and the song «It's raining men» published in 1982 by The weather girls. This work and its evolution as a dissident anthem function as a milestone that allows us to understand the ways in which artistic aesthetics and strate...

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Autor principal: Millán, Camila
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Litoral 2024
Materias:
videoclip
performance
music scenes
escenas musicales
Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13724
Aporte de:
Biblioteca Virtual - Publicaciones (UNL) de Universidad Nacional del Litoral
id I26-R133-article-13724
record_format ojs
spelling I26-R133-article-137242024-09-02T21:54:17Z El videoclip como ventana de lo posible: Ficciones de lo disidente en «It's raining men» The video clip as window of the possibility: Queer fictions in «It's raining men» Millán, Camila videoclip performance music scenes videoclip performance escenas musicales In this article we analyze, from a feminist perspective, the video clip and the song «It's raining men» published in 1982 by The weather girls. This work and its evolution as a dissident anthem function as a milestone that allows us to understand the ways in which artistic aesthetics and strategies are related to the disruptive paths of songs, within the framework of industrialized popular and mass music. The repercussions of this single on the dance floors of the main urban centers of the United States, as well as the paths that made its existence possible, are a privileged space to think about the relationships between music, sexual politics, bodies, performativity, industry, visual representations, politics and public disputes.    The work was carried out understanding the music video as an extension of the song in the framework of media culture. Based on the idea that mass popular music encompasses a series of practices and operations that involve technical, musical, traditional aspects, linked to the industry, markets and modes of production, circulation, legitimization and valuation of music; and that therefore, popular music is social and complex, we analyzed the video clip from Soares' methodology, since it allows us to reposition notions linked to montage as an expressive and political resource, making possible the performative, corporeal and media approach of the senses conveyed in music.   En este artículo analizamos, desde una perspectiva feminista, el videoclip y la canción «It's raining men» publicada en 1982 por The weather girls. Esta obra y su devenir como himno disidente funcionan como un hito que permite comprender los modos en los que se relacionan las estéticas y estrategias artísticas con los caminos disruptivos de las canciones, en el marco de la música popular y masiva industrializada. Las repercusiones de este single en las pistas de baile de los principales centros urbanos de Estados Unidos, así como los recorridos que posibilitaron su existencia, resultan un espacio privilegiado para pensar las relaciones entre música, políticas sexuales, cuerpos, performatividad, industria, representaciones visuales, política y disputas públicas.    El trabajo se realizó entendiendo al video musical como una extensión de la canción en el marco de la cultura mediática. Partiendo de la idea de que la música popular masiva engloba una serie de prácticas y operaciones que involucran aspectos técnicos, musicales, tradicionales, vinculados a la industria, los mercados y los modos de producción, circulación, legitimación y valoración de las músicas; y que por tanto, la música popular es social y compleja, analizamos el videoclip a partir de la metodología de Soares, ya que permite reponer nociones vinculadas al montaje como recurso expresivo y político, haciendo posible el abordaje performático, corpóreo y mediático de los sentidos vehiculizados en la música. Universidad Nacional del Litoral 2024-07-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/zip text/html https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13724 10.14409/rism.2024.25.e0062 Revista del ISM; Núm. 25 (2024): Revista del Instituto Superior de Música; e0062 Revista del ISM; No. 25 (2024): Revista del Instituto Superior de Música; e0062 2362-3322 1666-7603 10.14409/rism.2024.25 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13724/19112 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13724/19113 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13724/19114 Derechos de autor 2024 Revista del ISM
institution Universidad Nacional del Litoral
institution_str I-26
repository_str R-133
container_title_str Biblioteca Virtual - Publicaciones (UNL)
language Español
format Artículo revista
topic videoclip
performance
music scenes
videoclip
performance
escenas musicales
spellingShingle videoclip
performance
music scenes
videoclip
performance
escenas musicales
Millán, Camila
El videoclip como ventana de lo posible: Ficciones de lo disidente en «It's raining men»
topic_facet videoclip
performance
music scenes
videoclip
performance
escenas musicales
author Millán, Camila
author_facet Millán, Camila
author_sort Millán, Camila
title El videoclip como ventana de lo posible: Ficciones de lo disidente en «It's raining men»
title_short El videoclip como ventana de lo posible: Ficciones de lo disidente en «It's raining men»
title_full El videoclip como ventana de lo posible: Ficciones de lo disidente en «It's raining men»
title_fullStr El videoclip como ventana de lo posible: Ficciones de lo disidente en «It's raining men»
title_full_unstemmed El videoclip como ventana de lo posible: Ficciones de lo disidente en «It's raining men»
title_sort el videoclip como ventana de lo posible: ficciones de lo disidente en «it's raining men»
description In this article we analyze, from a feminist perspective, the video clip and the song «It's raining men» published in 1982 by The weather girls. This work and its evolution as a dissident anthem function as a milestone that allows us to understand the ways in which artistic aesthetics and strategies are related to the disruptive paths of songs, within the framework of industrialized popular and mass music. The repercussions of this single on the dance floors of the main urban centers of the United States, as well as the paths that made its existence possible, are a privileged space to think about the relationships between music, sexual politics, bodies, performativity, industry, visual representations, politics and public disputes.    The work was carried out understanding the music video as an extension of the song in the framework of media culture. Based on the idea that mass popular music encompasses a series of practices and operations that involve technical, musical, traditional aspects, linked to the industry, markets and modes of production, circulation, legitimization and valuation of music; and that therefore, popular music is social and complex, we analyzed the video clip from Soares' methodology, since it allows us to reposition notions linked to montage as an expressive and political resource, making possible the performative, corporeal and media approach of the senses conveyed in music.  
publisher Universidad Nacional del Litoral
publishDate 2024
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13724
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first_indexed 2024-08-13T20:37:24Z
last_indexed 2024-09-04T02:30:20Z
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