«¿Te acuerdas de El Club del Clan?». Revisionismo rockero y patrimonialización del rock nacional argentino en el siglo XXI
Based on a reflection on the friendship between the musicians Charly García and Palito Ortega, this article reconstructs the growth of a revisionist view on the history of Argentine rock nacional during the 21st century and examines its historical conditions of possibility. The first section reviews...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2025
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/index/article/view/15144 |
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| Sumario: | Based on a reflection on the friendship between the musicians Charly García and Palito Ortega, this article reconstructs the growth of a revisionist view on the history of Argentine rock nacional during the 21st century and examines its historical conditions of possibility. The first section reviews the background of this revisionism and analyses its recent development, focusing on the significant and illustrative case of a young journalist. The second section argues that contemporary debates on the origins of Argentine pop–rock should be understood within the framework of the digitalization of culture. In dialogue with authors such as Simon Reynolds and Philippe Le Guern, I postulate that its expansion responds to two historical processes: one of a generational order and the other linked to broader contemporary transformations in musical canons, aesthetic conventions and the dynamics of cultural legitimation. The hypothesis of the article is that Argentine rock revisionism, although it recognizes historical antecedents and is formulated at a national scale, is the expression of a new moment in global culture, marked by retromanic tendencies and a «patrimonial obsession» with rock (Le Guern, 2012). |
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