Germano Mathias and a legacy of our malandragem
This article recovers the trajectory of the singer Germano Mathias, who became an exponent of samba malandro between the late 1950s and the 1970s. By focusing on his career, it is possible to advance in the understanding of the place of samba malandro in the cultural industry. In addition, the study...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/10742 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=interlit&d=10742_oai |
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I28-R145-10742_oai2022-12-27 D’Ipolitto de Oliveira Sciré, Rachel 2021-10-01 This article recovers the trajectory of the singer Germano Mathias, who became an exponent of samba malandro between the late 1950s and the 1970s. By focusing on his career, it is possible to advance in the understanding of the place of samba malandro in the cultural industry. In addition, the study of the singer work, from a perspective based on materialist cultural criticism, allows the discussion of the malandro represantations in Brazilian society, highlighting its violent character, and also points out the transformations of the idea of malandragem, considering changes in brazilian urban reality throughout the twentieth century, in regard to the local development of the capitalism. This last point is discussed based on the analysis of the lyric “Jerônimo”, by Eduardo Gudin and Carlos Mello, recorded by Germano Mathias in 1986, for the soundtrack of the soap opera Cambalacho, by Rede Globo. O artigo recupera a trajetória de Germano Mathias, sambista paulistano que se tornou expoente do samba malandro entre o final dos anos 1950 e a década de 1970. Ao se debruçar sobre a sua carreira, é possível avançar na compreensão do lugar do samba malandro na indústria cultural. Da mesma forma, o estudo da obra do intérprete, a partir de uma perspectiva fundamentada na crítica cultural materialista, favorece a discussão das representações do malandro na sociedade brasileira, com destaque para o seu caráter violento, e também aponta para os desdobramentos da ideia de malandragem, diante de algumas transformações observadas em nossa realidade urbana ao longo do século XX, em paralelo ao desenvolvimento local do capitalismo. Este último ponto é debatido a partir da análise da letra do samba “Jerônimo”, de Eduardo Gudin e Carlos Mello, gravado por Germano Mathias em 1986, para a trilha sonora da novela Cambalacho, da Rede Globo. application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/10742 10.34096/interlitteras.n3.10742 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/10742/9464 http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/10742/9482 Inter Litteras; Núm. 3 (2021); 63-81 2683-9695 0328-8935 Brazilian popular music samba malandragem Germano Mathias música popular brasileira samba malandragem Germano Mathias Germano Mathias and a legacy of our malandragem Germano Mathias e um legado da nossa malandragem info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=interlit&d=10742_oai |
| institution |
Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
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spa |
| topic |
Brazilian popular music samba malandragem Germano Mathias música popular brasileira samba malandragem Germano Mathias |
| spellingShingle |
Brazilian popular music samba malandragem Germano Mathias música popular brasileira samba malandragem Germano Mathias D’Ipolitto de Oliveira Sciré, Rachel Germano Mathias and a legacy of our malandragem |
| topic_facet |
Brazilian popular music samba malandragem Germano Mathias música popular brasileira samba malandragem Germano Mathias |
| description |
This article recovers the trajectory of the singer Germano Mathias, who became an exponent of samba malandro between the late 1950s and the 1970s. By focusing on his career, it is possible to advance in the understanding of the place of samba malandro in the cultural industry. In addition, the study of the singer work, from a perspective based on materialist cultural criticism, allows the discussion of the malandro represantations in Brazilian society, highlighting its violent character, and also points out the transformations of the idea of malandragem, considering changes in brazilian urban reality throughout the twentieth century, in regard to the local development of the capitalism. This last point is discussed based on the analysis of the lyric “Jerônimo”, by Eduardo Gudin and Carlos Mello, recorded by Germano Mathias in 1986, for the soundtrack of the soap opera Cambalacho, by Rede Globo. |
| format |
Artículo publishedVersion |
| author |
D’Ipolitto de Oliveira Sciré, Rachel |
| author_facet |
D’Ipolitto de Oliveira Sciré, Rachel |
| author_sort |
D’Ipolitto de Oliveira Sciré, Rachel |
| title |
Germano Mathias and a legacy of our malandragem |
| title_short |
Germano Mathias and a legacy of our malandragem |
| title_full |
Germano Mathias and a legacy of our malandragem |
| title_fullStr |
Germano Mathias and a legacy of our malandragem |
| title_full_unstemmed |
Germano Mathias and a legacy of our malandragem |
| title_sort |
germano mathias and a legacy of our malandragem |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/10742 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=interlit&d=10742_oai |
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AT dipolittodeoliveirascirerachel germanomathiasandalegacyofourmalandragem AT dipolittodeoliveirascirerachel germanomathiaseumlegadodanossamalandragem |
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