El Muererío Teatro: Twenty-Five Years on the National Scene
On the occasion of the twenty-fifth anniversary of the theatrical company El Muererío Teatro, in this article we intend to reflect on a large part of its artistic productions. Our goal is to review the various tensions, relations and breaks that the company has established with the literary and thea...
Guardado en:
| Autores principales: | , |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
|
| Materias: | |
| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11387 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11387_oai |
| Aporte de: |
| id |
I28-R145-11387_oai |
|---|---|
| record_format |
dspace |
| spelling |
I28-R145-11387_oai2025-11-17 Forgnone, Juan Cruz Noguera, Lía Forgnone, Juan Cruz Noguera, Lía 2022-05-21 On the occasion of the twenty-fifth anniversary of the theatrical company El Muererío Teatro, in this article we intend to reflect on a large part of its artistic productions. Our goal is to review the various tensions, relations and breaks that the company has established with the literary and theatrical past, with the nation and with philosophy, to propose new semantic and aesthetic uses. At the same time, based on the concept of manipulation proposed by the company, we intend to analyze both the acting procedures themselves and the dramaturgical ones. Con motivo del aniversario número veinticinco de la compañía El Muererío Teatro, en este artículo nos proponemos reflexionar sobre gran parte de sus producciones artísticas. Nuestro objetivo es revisar las diversas tensiones, relaciones y rupturas que la compañía ha establecido con el pasado literario y teatral, la nación y la filosofía para proponer nuevos usos semánticos y estéticos. A la vez, partiendo del concepto de manipulación que propone la compañía, pretendemos analizar tanto los procedimientos propios actorales como los dramatúrgicos. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11387 10.34096/tdf.n35.11387 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11387/10518 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 35 (2022) 1669-6301 Muererio Theater Argentine Starosta Company Acting Procedures Dramaturgy Muererío Teatro Teatro argentino Diego Starosta Dramaturgia Procedimientos actorales El Muererío Teatro: Twenty-Five Years on the National Scene Compañía El Muererío Teatro: veinticinco años en la escena nacional info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11387_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Muererio Theater Argentine Starosta Company Acting Procedures Dramaturgy Muererío Teatro Teatro argentino Diego Starosta Dramaturgia Procedimientos actorales |
| spellingShingle |
Muererio Theater Argentine Starosta Company Acting Procedures Dramaturgy Muererío Teatro Teatro argentino Diego Starosta Dramaturgia Procedimientos actorales Forgnone, Juan Cruz Noguera, Lía Forgnone, Juan Cruz Noguera, Lía El Muererío Teatro: Twenty-Five Years on the National Scene |
| topic_facet |
Muererio Theater Argentine Starosta Company Acting Procedures Dramaturgy Muererío Teatro Teatro argentino Diego Starosta Dramaturgia Procedimientos actorales |
| description |
On the occasion of the twenty-fifth anniversary of the theatrical company El Muererío Teatro, in this article we intend to reflect on a large part of its artistic productions. Our goal is to review the various tensions, relations and breaks that the company has established with the literary and theatrical past, with the nation and with philosophy, to propose new semantic and aesthetic uses. At the same time, based on the concept of manipulation proposed by the company, we intend to analyze both the acting procedures themselves and the dramaturgical ones. |
| format |
Artículo publishedVersion |
| author |
Forgnone, Juan Cruz Noguera, Lía Forgnone, Juan Cruz Noguera, Lía |
| author_facet |
Forgnone, Juan Cruz Noguera, Lía Forgnone, Juan Cruz Noguera, Lía |
| author_sort |
Forgnone, Juan Cruz |
| title |
El Muererío Teatro: Twenty-Five Years on the National Scene |
| title_short |
El Muererío Teatro: Twenty-Five Years on the National Scene |
| title_full |
El Muererío Teatro: Twenty-Five Years on the National Scene |
| title_fullStr |
El Muererío Teatro: Twenty-Five Years on the National Scene |
| title_full_unstemmed |
El Muererío Teatro: Twenty-Five Years on the National Scene |
| title_sort |
el muererío teatro: twenty-five years on the national scene |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2022 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11387 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11387_oai |
| work_keys_str_mv |
AT forgnonejuancruz elmuererioteatrotwentyfiveyearsonthenationalscene AT nogueralia elmuererioteatrotwentyfiveyearsonthenationalscene AT forgnonejuancruz elmuererioteatrotwentyfiveyearsonthenationalscene AT nogueralia elmuererioteatrotwentyfiveyearsonthenationalscene AT forgnonejuancruz companiaelmuererioteatroveinticincoanosenlaescenanacional AT nogueralia companiaelmuererioteatroveinticincoanosenlaescenanacional AT forgnonejuancruz companiaelmuererioteatroveinticincoanosenlaescenanacional AT nogueralia companiaelmuererioteatroveinticincoanosenlaescenanacional |
| _version_ |
1851376231639941120 |