Resquicio Colectivo, an [artivist] path towards the political aestheticization
Over the last years, we have witnessed the emergence of numerous artistic practices that broke into and interrupted the public scene through aesthetic and political repertoires defining themselves as artivist collectives. This article aims to analyze the repertoire of performative interventions prod...
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| Formato: | Artículo publishedVersion Artículo evaluado por pares |
| Lenguaje: | Español |
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Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA
2022
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/CAS/article/view/11421 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cantropo&d=11421_oai |
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| Sumario: | Over the last years, we have witnessed the emergence of numerous artistic practices that broke into and interrupted the public scene through aesthetic and political repertoires defining themselves as artivist collectives. This article aims to analyze the repertoire of performative interventions produced by Resquicio Colectivo, an artivist collective from Rosario (Santa Fe, Argentina). Research was conducted from an ethnographic, relational and feminist perspective. The article’s main hypothesis is that the events that enable the existence of a collective body as a political body take place through the intertwining of sensitive and moving bodies and the production of in-between spaces in. |
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