The ceramic styles of Tilcara during the first millennium AD. A contribution from an archaeological rescue in the Malka neighborhood

The archaeological find in the house of the Carrazana Paredes’ family is one of the most striking in the area due to the richness and quantity of registered ceramic elements, as well as for the diversity of its attributes, in particular the technological ones. The variety of types and the large samp...

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Autores principales: Juarez, Vanesa Beatriz, Otero, Clarisa
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/esnoa/article/view/12896
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=estusoc&d=12896_oai
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Sumario:The archaeological find in the house of the Carrazana Paredes’ family is one of the most striking in the area due to the richness and quantity of registered ceramic elements, as well as for the diversity of its attributes, in particular the technological ones. The variety of types and the large sample detected in this context allowed us to advance in the characterization of the different containers with the objective of organizing a morphological and functional repertoire. This repertoire was built on the basis of contemporary findings in the same area, which currently constitute the collections of the Dr. Eduardo Casanova Archaeological Museum, of the Tilcara Interdisciplinary Institute, FFyL-UBA. Likewise, this diversity was organized via the reconstitution of the pieces by means of reassembly, the grouping of families of fragments and the identification of differentiated pieces from the more homogeneous set. To add to this reconstitution of stylistic attributes, functional aspects and traces of use of different samples were considered. The integration of all this evidence allowed generating interpretations linked to the forms of consumption during the first millennium AD, as well as identifying regularities and changes in relation to the ceramic assemblages corresponding to the beginning of the second millennium.