Escenografía, fenómeno del habitar
At present, scenography is not considered to be a simple instrumental resource. That’s why there is a lack of consensus on basic concepts, terminology, procedures, teaching and dissemination concerning its study. Without denying its technical roots, we expect this dimension not to deny the possibili...
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| Formato: | Artículo publishedVersion Artículo revisado por pares |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2015
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/2157 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=2157_oai |
| Aporte de: |
| Sumario: | At present, scenography is not considered to be a simple instrumental resource. That’s why there is a lack of consensus on basic concepts, terminology, procedures, teaching and dissemination concerning its study. Without denying its technical roots, we expect this dimension not to deny the possibility of approaching scenery as a theoretical object. Particularly, the present communication addresses the possible dialogues between the definitions that Gastón Breyer proposes for the intelligibility of the set as an object of philosophical thought and the brief reflections on this matter expressed by Martin Heidegger in The Art and Space (1969). |
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