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The authorship of musical pieces identified as tango has been well established once they are defined as songs formed by lyrics to sing and a music sheet. Nevertheless, based on the concept of performance as pose and double representation (of the singer, and of the roles demanded by the interpretatio...

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Detalles Bibliográficos
Autor principal: Idiarte, Nora
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) 2016
Materias:
tango
Gardel
performance
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/zama/article/view/2197
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=2197_oai
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires

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