Una estética del hacer. Miradas sobre las bolsas prehispánicas tardías de Doncellas (Puna septentrional argentina)
Based on a study of woven bags collected from late pre-Hispanic burials during Eduardo Casanova’s expedition to Doncellas (northern Puna of Argentina) in 1941-1943, this article explores aesthetic choices made by weavers in spinning and weaving the bags. The author relies on her own ethnographic fie...
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| Autor principal: | |
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2020
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/esnoa/article/view/8918 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=estusoc&d=8918_oai |
| Aporte de: |
| Sumario: | Based on a study of woven bags collected from late pre-Hispanic burials during Eduardo Casanova’s expedition to Doncellas (northern Puna of Argentina) in 1941-1943, this article explores aesthetic choices made by weavers in spinning and weaving the bags. The author relies on her own ethnographic fieldwork as a participant observer in Isluga, northern Chile, among llama and alpaca herders, to inquire into past practices when the weavers used the fleece obtained from their environment in a world full of meanings. The conformation of narrow stripes and peinecillos, a design which creates little horizontal bars in a plain weave textile, is analysed, as well as the use of transposed warp and multiple weft in warp-faced textiles. This analysis provides a platform for considering how acts of weaving may be related to the weavers’ aesthetic predilections. Because aesthetic expression emerged from daily practices, it is suggested that the weavers considered aesthetic feeling to be an immanent condition, rather than being imported from a heightened plane of experience. |
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