Semiótica de la luz en tiempos de oscuridad. : Sobre "El silencio fue casi una virtud" de María Azambuya
This article examines the scenic space as a generator of meaning and developing on the ethical premises of a generation in Uruguay. That space is metaphoric and metonymic, and it talks about a new theatrical language in the end of the dictatorial period.
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2007
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9459 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9459_oai |
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| Sumario: | This article examines the scenic space as a generator of meaning and developing on the ethical premises of a generation in Uruguay. That space is metaphoric and metonymic, and it talks about a new theatrical language in the end of the dictatorial period. |
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