TESIS DOCTORAL Representación digital de la arquitectura y...
It is usually considered that the digital means of representation and production of the project give architects and designers the possibility to innovate and go beyond the limits of the discipline, thus giving them a power over forms previously unknown and practically within the reach of anyone. A p...
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| Formato: | Tesis doctoral acceptedVersion |
| Lenguaje: | Español |
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Facultad de Arquitectura, Diseño y Urbanismo
2016
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| Acceso en línea: | http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_3790 https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_3790.dir/3790.PDF |
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| Sumario: | It is usually considered that the digital means of representation and production of the project give architects and designers the possibility to innovate and go beyond the limits of the discipline, thus giving them a power over forms previously unknown and practically within the reach of anyone. A promising panorama that generates a certain climate of expressive euphoria around digital practices, but that does not finish explaining how these innovations are possible or what the
operational role played by the media is. While we do not deny that digital technologies have
made important contributions to project practices, this often leads to consequences that deserve
attention and critical analysis. We are talking about the seduction of the tool by itself, succeeding in
putting itself before architectural objectives, which provokes restrictions and inductions on design that go unnoticed by the neglected designer. Our research explores the ways in which these
influences are generated and their consequent naturalization and aesthetization. |
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