Tesis DocToral Los recursos de lenguaje del 3D estereoscópico ...
The research studies the specific language resources of the stereoscopic 3D technique (3DE) and the aesthetic strategies for the narrative design of Argentine animated feature films made and exhibited in stereoscopic 3DE during the first two decades of the 21st century. The 3DE technique is contextu...
Guardado en:
| Autor principal: | |
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| Otros Autores: | |
| Formato: | Tesis doctoral acceptedVersion |
| Lenguaje: | Español |
| Publicado: |
Facultad de Arquitectura, Diseño y Urbanismo
2021
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| Materias: | |
| Acceso en línea: | http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_7087 https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_7087.dir/7087.PDF |
| Aporte de: |
| id |
I28-R145-HWA_7087 |
|---|---|
| record_format |
dspace |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Audiovisual Animación Diseño Lenguaje 3D estereoscópico Audio-visual Animation Design Language Stereoscopic 3D Investigación Teoría Cine Historia Técnica Tecnología digital Percepción Imagen Estética Audiovisuales Proceso creativo Cinematografía |
| spellingShingle |
Audiovisual Animación Diseño Lenguaje 3D estereoscópico Audio-visual Animation Design Language Stereoscopic 3D Investigación Teoría Cine Historia Técnica Tecnología digital Percepción Imagen Estética Audiovisuales Proceso creativo Cinematografía Silva, Marlene Nascimento da Tesis DocToral Los recursos de lenguaje del 3D estereoscópico ... |
| topic_facet |
Audiovisual Animación Diseño Lenguaje 3D estereoscópico Audio-visual Animation Design Language Stereoscopic 3D Investigación Teoría Cine Historia Técnica Tecnología digital Percepción Imagen Estética Audiovisuales Proceso creativo Cinematografía |
| description |
The research studies the specific language resources of the stereoscopic 3D technique (3DE) and the aesthetic strategies for the narrative design of Argentine animated feature films made and exhibited in stereoscopic 3DE during the first two decades of the 21st century. The 3DE technique is contextualized in the specificity of the historical, whose conceptual origin dates to the very beginnings of cinema. It breaks down and analyses the narrative resources of this technique, which are incorporated into the audio visual language in the context of digital technology and which make it possible to sustain the process of design, production and exhibition of films in stereoscopic 3D. The object of study is approached, from an analysis of the plane as a minimum unit of audio-visual discourse, to reveal the experience in development of the use of these specific language resources of the 3DE technique. Likewise, the planes in which the presence of negative parallax is detected are broken down, and the design is analyzed from the perspective of the specific design tools of the animation project: the story board, the sound synchronism, the layout and the layered composition. Likewise, the observing subject is approached, and the relationships established between the body immersed in the observation and the content observed are analyzed. The research thus manages to identify design patterns in the use of specific audio visual language resources, in said technique and provide knowledge regarding the desire for representation that the 3DE technique, offers to narrative quality and for the construction of audio-visual discourse. On the other hand, it reveals aspects of visual and audio-visual language and the impact of technology on artistic practices, combining disciplines, perspectives, and approaches such as film theory, communication theory, image theory, history of art and aesthetics. The research allows conclusions to be drawn about the relationships between the stereoscopic 3D language resources incorporated into audio-visual language in the digital age and that substantially influence the design of this type of audio-visual pieces. |
| author2 |
Angerami, Luis Fernando |
| author_facet |
Angerami, Luis Fernando Silva, Marlene Nascimento da |
| format |
Tesis doctoral Tesis doctoral acceptedVersion |
| author |
Silva, Marlene Nascimento da |
| author_sort |
Silva, Marlene Nascimento da |
| title |
Tesis DocToral Los recursos de lenguaje del 3D estereoscópico ... |
| title_short |
Tesis DocToral Los recursos de lenguaje del 3D estereoscópico ... |
| title_full |
Tesis DocToral Los recursos de lenguaje del 3D estereoscópico ... |
| title_fullStr |
Tesis DocToral Los recursos de lenguaje del 3D estereoscópico ... |
| title_full_unstemmed |
Tesis DocToral Los recursos de lenguaje del 3D estereoscópico ... |
| title_sort |
tesis doctoral los recursos de lenguaje del 3d estereoscópico ... |
| publisher |
Facultad de Arquitectura, Diseño y Urbanismo |
| publishDate |
2021 |
| url |
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_7087 https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_7087.dir/7087.PDF |
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AT silvamarlenenascimentoda tesisdoctorallosrecursosdelenguajedel3destereoscopico AT silvamarlenenascimentoda losrecursosdelenguajedel3destereoscopicoincorporadosallenguajeaudiovisualenlaeradigital AT silvamarlenenascimentoda stereoscopic3dlanguageresourcesincorporatedintoaudiovisuallanguageinthedigitalage |
| _version_ |
1809320081986945024 |
| spelling |
I28-R145-HWA_70872024-08-16 Tesis DocToral Los recursos de lenguaje del 3D estereoscópico ... The research studies the specific language resources of the stereoscopic 3D technique (3DE) and the aesthetic strategies for the narrative design of Argentine animated feature films made and exhibited in stereoscopic 3DE during the first two decades of the 21st century. The 3DE technique is contextualized in the specificity of the historical, whose conceptual origin dates to the very beginnings of cinema. It breaks down and analyses the narrative resources of this technique, which are incorporated into the audio visual language in the context of digital technology and which make it possible to sustain the process of design, production and exhibition of films in stereoscopic 3D. The object of study is approached, from an analysis of the plane as a minimum unit of audio-visual discourse, to reveal the experience in development of the use of these specific language resources of the 3DE technique. Likewise, the planes in which the presence of negative parallax is detected are broken down, and the design is analyzed from the perspective of the specific design tools of the animation project: the story board, the sound synchronism, the layout and the layered composition. Likewise, the observing subject is approached, and the relationships established between the body immersed in the observation and the content observed are analyzed. The research thus manages to identify design patterns in the use of specific audio visual language resources, in said technique and provide knowledge regarding the desire for representation that the 3DE technique, offers to narrative quality and for the construction of audio-visual discourse. On the other hand, it reveals aspects of visual and audio-visual language and the impact of technology on artistic practices, combining disciplines, perspectives, and approaches such as film theory, communication theory, image theory, history of art and aesthetics. The research allows conclusions to be drawn about the relationships between the stereoscopic 3D language resources incorporated into audio-visual language in the digital age and that substantially influence the design of this type of audio-visual pieces. Fil: Silva, Marlene Nascimento da. Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo. Buenos Aires, Argentina Angerami, Luis Fernando Facultad de Arquitectura, Diseño y Urbanismo Negro, Marcela Silva, Marlene Nascimento da 2021-05-19 La investigación estudia los recursos de lenguaje específicos de la técnica 3D estereoscópica (3DE) y las estrategias estéticas para el diseño narrativo de los largometrajes de animación argentinos realizados y exhibidos en 3DE estereoscópico durante las dos primeras décadas del siglo XXI. Se contextualiza la técnica 3DE en la especificidad de lo histórico, cuyo origen conceptual se remonta a los inicios mismos del cine. Se desglosa y analiza los recursos narrativos de dicha técnica, que son incorporados en el lenguaje audiovisual en el contexto de la tecnología digital y que posibilitan sostener el proceso de diseño, producción y exhibición de películas en 3D estereoscópico. Se aborda el objeto de estudio, desde un análisis del plano como unidad mínima del discurso audiovisual, con el propósito de relevar la experiencia en desarrollo de la utilización de estos recursos de lenguaje específicos de la técnica 3DE. Asimismo, se desglosan los planos en los que se detecta la presencia del parallax negativo, y se analiza el diseño desde la perspectiva de las herramientas proyectuales específicas del proyecto de animación: el story board, el sincronismo sonoro, el layout y la composición en capas. Igualmente, se aborda el sujeto observador y se analizan las relaciones que se establecen entre el cuerpo inmerso en la observación y el contenido observado. La investigación logra, así, identificar patrones de diseño en la utilización de los recursos específicos de lenguaje audiovisual en dicha técnica y aportar conocimiento respecto a los anhelos de representación que la técnica 3DE ofrece a la calidad narrativa y para la construcción del discurso audiovisual. Por otra parte, da a conocer aspectos del lenguaje visual y audiovisual y el impacto de la tecnología sobre las prácticas artísticas, conjugándose en su abordaje disciplinas, perspectivas y enfoques como la teoría del cine, la teoría de la comunicación, teoría de la imagen, historia del arte y la estética. La investigación permite generar conclusiones sobre las relaciones que guardan entre sí los recursos de lenguaje del 3D estereoscópico incorporados al lenguaje audiovisual en la era digital y que influyen sustancialmente en el diseño de este tipo de piezas audiovisuales. application/pdf Ross, Miriam Kaufman, Guillermo Russo, Eduardo Audiovisual Animación Diseño Lenguaje 3D estereoscópico Audio-visual Animation Design Language Stereoscopic 3D spa Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-nd/2.5/ar/ Investigación Teoría Cine Historia Técnica Tecnología digital Percepción Imagen Estética Audiovisuales Proceso creativo Cinematografía Los recursos de lenguaje del 3D estereoscópico incorporados al lenguaje audiovisual en la era digital Stereoscopic 3D language resources incorporated into audio visual language in the digital age info:eu-repo/semantics/doctoralThesis info:ar-repo/semantics/tesis doctoral info:eu-repo/semantics/acceptedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_7087 https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_7087.dir/7087.PDF |