The figured massacre: an approach to the uses and appropriations of the Siluetas de Margarita Belén

The article analyses the uses and appropriations of the Siluetas de Margarita Belén, which were painted for the first time in 1984 by the artist, writer and former political detainee Miguel Ángel Molfino. The images were aimed to register the memory of the victims and the incident of the Margarita B...

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Detalles Bibliográficos
Autor principal: Delgado, Facundo Omar
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudio Sociales. Universidad Nacional del Nordeste 2024
Materias:
silhouettes, memory, chaco post-dictatorship
siluetas
memoria
posdictadura chaqueña
Acceso en línea:https://revistas.unne.edu.ar/index.php/dpd/article/view/7497
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste

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