Chejfec con Sebald: estilo tardío y escritura de la ruina
The aim of this paper is to explore the critical consensus that identifies connections between the poetics of Sergio Chejfec and those of the German writer W.G. Sebald. These parallels are evident not only in the essays Chejfec has written on Sebald's work but also in the essayistic turn in his...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
2025
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| Acceso en línea: | https://revistas.unne.edu.ar/index.php/clt/article/view/8280 |
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| Sumario: | The aim of this paper is to explore the critical consensus that identifies connections between the poetics of Sergio Chejfec and those of the German writer W.G. Sebald. These parallels are evident not only in the essays Chejfec has written on Sebald's work but also in the essayistic turn in his later narrative style—an approach that fosters a dialogue with the generic instability characteristic of Sebald’s writings. Chejfec’s interest in Sebald’s work can be explained by a shared focus on various representations of ruin and destruction, which permeate the spaces depicted by both authors. We argue that this inclination has a common theoretical substratum: Benjamin’s philosophy of history. |
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