Review of "Filosofía latinoamericana y sujeto": by Yamandú Acosta

Taking into account some electoral processes that occurred in Latin America in the twenty-first century, it can be understood how the status of the protagonists of the political scene seems to shift between actors and operators. Many characters are involved in this scene, especially given the degree...

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Autor principal: Díaz Morán, Inti
Formato: Artículo revista
Lenguaje:Español
Publicado: Cátedra B de Problemas Epistemológicos de la Psicología de la Facultad de Psicología, Universidad Nacional de Córdoba 2021
Materias:
reseña
Yamandú Acosta
sujeto
filosofía
review
subject
philosophy
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterocronias/article/view/33987
Aporte de:
Heterocronías. Feminismos y Epistemologías del Sur de Universidad Nacional de Córdoba
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container_title_str Heterocronías. Feminismos y Epistemologías del Sur
language Español
format Artículo revista
topic reseña
Yamandú Acosta
sujeto
filosofía
review
Yamandú Acosta
subject
philosophy
spellingShingle reseña
Yamandú Acosta
sujeto
filosofía
review
Yamandú Acosta
subject
philosophy
Díaz Morán, Inti
Díaz Morán, Inti
Review of "Filosofía latinoamericana y sujeto": by Yamandú Acosta
topic_facet reseña
Yamandú Acosta
sujeto
filosofía
review
Yamandú Acosta
subject
philosophy
author Díaz Morán, Inti
Díaz Morán, Inti
author_facet Díaz Morán, Inti
Díaz Morán, Inti
author_sort Díaz Morán, Inti
title Review of "Filosofía latinoamericana y sujeto": by Yamandú Acosta
title_short Review of "Filosofía latinoamericana y sujeto": by Yamandú Acosta
title_full Review of "Filosofía latinoamericana y sujeto": by Yamandú Acosta
title_fullStr Review of "Filosofía latinoamericana y sujeto": by Yamandú Acosta
title_full_unstemmed Review of "Filosofía latinoamericana y sujeto": by Yamandú Acosta
title_sort review of "filosofía latinoamericana y sujeto": by yamandú acosta
description Taking into account some electoral processes that occurred in Latin America in the twenty-first century, it can be understood how the status of the protagonists of the political scene seems to shift between actors and operators. Many characters are involved in this scene, especially given the degree of mediatization that politics has achieved. The staging of politics, carried out by the representatives, really shapes a political scenario, with narratives, operators, actors, characters, staging, different types of discursive performances. However, just as the stage represents and hides the political system and the market, operators hide political subjects. But it turns out that there is another deeper concealment, carried out by the media omnipresence of these operators, who with the installation of the agenda, exercising the power that gives them their privileged position, hide the real political field, which is also a field of struggles and tensions. It is there that the political subject, a collective protagonist who does not want to be a mere spectator, who wants to become the actor of its liberation, is defined, never in an absolute way and always in conflict. That politics is managed by agents or operators who respond to particular interests is inappropriate, in practical and conceptual terms, because the condition of subject implies being a subject of politics and of the political. This aspect, which connects politics with philosophy, is very well captured by the Uruguayan philosopher Yamandú Acosta in the book Filosofía Latinoamericana y Sujeto (Latin American Philosophy and Subject), which covers classics of philosophy, in summary, from a critical perspective but also sketching a critique of Latin American philosophical discourses.
publisher Cátedra B de Problemas Epistemológicos de la Psicología de la Facultad de Psicología, Universidad Nacional de Córdoba
publishDate 2021
url https://revistas.unc.edu.ar/index.php/heterocronias/article/view/33987
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spelling I10-R299-article-339872026-05-22T18:34:03Z Review of "Filosofía latinoamericana y sujeto": by Yamandú Acosta Reseña de "Filosofía latinoamericana y sujeto": de Yamandú Acosta Díaz Morán, Inti Díaz Morán, Inti reseña Yamandú Acosta sujeto filosofía review Yamandú Acosta subject philosophy Taking into account some electoral processes that occurred in Latin America in the twenty-first century, it can be understood how the status of the protagonists of the political scene seems to shift between actors and operators. Many characters are involved in this scene, especially given the degree of mediatization that politics has achieved. The staging of politics, carried out by the representatives, really shapes a political scenario, with narratives, operators, actors, characters, staging, different types of discursive performances. However, just as the stage represents and hides the political system and the market, operators hide political subjects. But it turns out that there is another deeper concealment, carried out by the media omnipresence of these operators, who with the installation of the agenda, exercising the power that gives them their privileged position, hide the real political field, which is also a field of struggles and tensions. It is there that the political subject, a collective protagonist who does not want to be a mere spectator, who wants to become the actor of its liberation, is defined, never in an absolute way and always in conflict. That politics is managed by agents or operators who respond to particular interests is inappropriate, in practical and conceptual terms, because the condition of subject implies being a subject of politics and of the political. This aspect, which connects politics with philosophy, is very well captured by the Uruguayan philosopher Yamandú Acosta in the book Filosofía Latinoamericana y Sujeto (Latin American Philosophy and Subject), which covers classics of philosophy, in summary, from a critical perspective but also sketching a critique of Latin American philosophical discourses. Teniendo en cuenta algunos procesos electorales ocurridos en América Latina del siglo XXI, se puede entender cómo es que el estatuto de los protagonistas de la escena política parece desplazarse entre actores y operadores. Muchos personajes intervienen en esa escena. Sobre todo, teniendo en cuenta, también, el grado de mediatización que alcanzó la política. La escenificación de la política, llevada a cabo por los representantes, configura realmente un escenario político, con narrativas, operadores, actores, personajes, puestas en escena, distintos tipos de performance discursivas. Sin embargo, así como el escenario representa y oculta al sistema político y al mercado, los operadores ocultan a los sujetos políticos. Pero ocurre que hay otro ocultamiento más profundo, llevado a cabo por la omnipresencia mediática de estos operadores, que con la instalación de la agenda, ejerciendo el poder que le otorga su posición de privilegio, ocultan al campo político real, el cual es también un campo de luchas y tensiones. Allí es donde se define, nunca de modo absoluto y siempre conflictivamente, al sujeto político, protagonista colectivo que no quiere ser un mero espectador, que quiere convertirse en el actor de su liberación. Que la política esté manejada por agentes u operadores que responden a intereses particulares resulta inadecuado, en términos prácticos y conceptuales, porque la condición de sujeto, implica ser sujeto de la política y de lo político. Este aspecto, que conecta política con filosofía, es muy bien captado por el filósofo uruguayo Yamandú Acosta en el libro Filosofía Latinoamericana y Sujeto, que recorre clásicos de la filosofía, en modo resumido, desde una mirada crítica pero también esbozando una crítica de los discursos filosóficos latinoamericanos. Cátedra B de Problemas Epistemológicos de la Psicología de la Facultad de Psicología, Universidad Nacional de Córdoba 2021-07-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterocronias/article/view/33987 Heterocronías. Feminismos y Epistemologías del Sur; Vol. 3 Núm. 1: Número Especial dedicado a la obra escrita de Álvaro García Linera; 30-44 Heterocronías. Feminisms and Epistemologies of the South; Vol. 3 No. 1: Número Especial dedicado a la obra escrita de Álvaro García Linera; 30-44 2684-0502 spa https://revistas.unc.edu.ar/index.php/heterocronias/article/view/33987/34387 https://creativecommons.org/licenses/by-nc/4.0/

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