"Los montes de La Loca" (The Hills of La Loca) by Marisa Wagner. Writing as a war machine

This article aims to take a tour of the book"Los montes de La Loca" by Marisa Wagner, establishing a dialogue with Deleuze and Guattari's concept of war machine. In this way, we will focus on the concept of minor literature. Wagner's work will give us the opportunity to address t...

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Autor principal: Peña, Candela Nahir
Formato: Artículo revista
Lenguaje:Español
Publicado: Cátedra B de Problemas Epistemológicos de la Psicología de la Facultad de Psicología, Universidad Nacional de Córdoba 2023
Materias:
escritura
máquina de guerra
literatura menor
micropolítica
writing
war machine
minor literature
micropolitics
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterocronias/article/view/42151
Aporte de:
Heterocronías. Feminismos y Epistemologías del Sur de Universidad Nacional de Córdoba
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spelling I10-R299-article-421512026-05-22T20:24:20Z "Los montes de La Loca" (The Hills of La Loca) by Marisa Wagner. Writing as a war machine "Los montes de La Loca" de Marisa Wagner. La escritura como máquina de guerra Peña, Candela Nahir Peña, Candela Nahir escritura máquina de guerra literatura menor micropolítica writing war machine minor literature micropolitics This article aims to take a tour of the book"Los montes de La Loca" by Marisa Wagner, establishing a dialogue with Deleuze and Guattari's concept of war machine. In this way, we will focus on the concept of minor literature. Wagner's work will give us the opportunity to address the political potential in art, and more specifically in writing. Far from any allegory of art as therapeutic, or madness as creative, We prefer to focus on the possibility of a micropolitics of writing, in which multiple collective agencies of enunciation and desire converge. The statement, in this sense, contains them. To make rhizome is to write, deterritorialize, mobilize structures and make them tremble. Wagner's writing is a writing from urgency, chaos and movement. His poems are denunciations, a small war machine with which he opens the possibility not only of criticizing the psychiatric clinic as a state apparatus, as a structure that seeks to break the rhizome and appease passions but also in the possibility of a writing that contributes to the production of a minor literature. That is to say that a micropolitics of writing requires a minority becoming in literature. Only in this way could we think of the construction of revolutionary machines of liberation and emancipation, which pursue a path loyal to the affections. Este artículo tiene como objetivo realizar un recorrido por el libro Los montes de La Loca de Marisa Wagner, haciéndolo dialogar con el concepto de máquina de guerra de Deleuze y Guattari. Para realizar esto, nos centraremos en el concepto de literatura menor. La obra de Wagner nos dará pie para abordar la potencialidad política en el arte, específicamente en la escritura. Lejos de cualquier alegoría del arte como terapéutico, o de la locura como creadora, preferimos analizar la posibilidad de una micropolítica de la escritura, en la que convergen múltiples agenciamientos colectivos de enunciación y deseo. El enunciado, en este sentido, los contiene. Hacer rizoma es escribir, desterritorializar, movilizar las estructuras y hacerlas temblar. La escritura de Wagner es una escritura desde la urgencia, el caos y el movimiento. Sus poemas son denuncias, una pequeña máquina de guerra con las que nos abre la posibilidad no solo de criticar la clínica psiquiátrica en tanto aparato de Estado, como estructura que busca romper el rizoma y apaciguar las pasiones, sino también en la posibilidad de una escritura que contribuya a la producción de una literatura menor. Es decir que una micropolítica de la escritura requiere un devenir minoritario en la literatura. Solo de esta manera podríamos pensar en la construcción de maquinarias revolucionarias de liberación y emancipación, que persigan un camino leal a los afectos. Cátedra B de Problemas Epistemológicos de la Psicología de la Facultad de Psicología, Universidad Nacional de Córdoba 2023-08-06 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterocronias/article/view/42151 Heterocronías. Feminismos y Epistemologías del Sur; Vol. 5 Núm. 1 (2023): Heterocronías. Feminismos y Epistemologías del Sur. Vol. 5 Núm 1; 35-50 Heterocronías. Feminisms and Epistemologies of the South; Vol. 5 No. 1 (2023): Heterocronías. Feminismos y Epistemologías del Sur. Vol. 5 Núm 1; 35-50 2684-0502 spa https://revistas.unc.edu.ar/index.php/heterocronias/article/view/42151/42298 Derechos de autor 2023 Heterocronías. Feminismos y Epistemologías del Sur https://creativecommons.org/licenses/by-nc/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-299
container_title_str Heterocronías. Feminismos y Epistemologías del Sur
language Español
format Artículo revista
topic escritura
máquina de guerra
literatura menor
micropolítica
writing
war machine
minor literature
micropolitics
spellingShingle escritura
máquina de guerra
literatura menor
micropolítica
writing
war machine
minor literature
micropolitics
Peña, Candela Nahir
Peña, Candela Nahir
"Los montes de La Loca" (The Hills of La Loca) by Marisa Wagner. Writing as a war machine
topic_facet escritura
máquina de guerra
literatura menor
micropolítica
writing
war machine
minor literature
micropolitics
author Peña, Candela Nahir
Peña, Candela Nahir
author_facet Peña, Candela Nahir
Peña, Candela Nahir
author_sort Peña, Candela Nahir
title "Los montes de La Loca" (The Hills of La Loca) by Marisa Wagner. Writing as a war machine
title_short "Los montes de La Loca" (The Hills of La Loca) by Marisa Wagner. Writing as a war machine
title_full "Los montes de La Loca" (The Hills of La Loca) by Marisa Wagner. Writing as a war machine
title_fullStr "Los montes de La Loca" (The Hills of La Loca) by Marisa Wagner. Writing as a war machine
title_full_unstemmed "Los montes de La Loca" (The Hills of La Loca) by Marisa Wagner. Writing as a war machine
title_sort "los montes de la loca" (the hills of la loca) by marisa wagner. writing as a war machine
description This article aims to take a tour of the book"Los montes de La Loca" by Marisa Wagner, establishing a dialogue with Deleuze and Guattari's concept of war machine. In this way, we will focus on the concept of minor literature. Wagner's work will give us the opportunity to address the political potential in art, and more specifically in writing. Far from any allegory of art as therapeutic, or madness as creative, We prefer to focus on the possibility of a micropolitics of writing, in which multiple collective agencies of enunciation and desire converge. The statement, in this sense, contains them. To make rhizome is to write, deterritorialize, mobilize structures and make them tremble. Wagner's writing is a writing from urgency, chaos and movement. His poems are denunciations, a small war machine with which he opens the possibility not only of criticizing the psychiatric clinic as a state apparatus, as a structure that seeks to break the rhizome and appease passions but also in the possibility of a writing that contributes to the production of a minor literature. That is to say that a micropolitics of writing requires a minority becoming in literature. Only in this way could we think of the construction of revolutionary machines of liberation and emancipation, which pursue a path loyal to the affections.
publisher Cátedra B de Problemas Epistemológicos de la Psicología de la Facultad de Psicología, Universidad Nacional de Córdoba
publishDate 2023
url https://revistas.unc.edu.ar/index.php/heterocronias/article/view/42151
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first_indexed 2024-09-03T20:21:14Z
last_indexed 2026-05-27T05:24:28Z
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