"Los montes de La Loca" (The Hills of La Loca) by Marisa Wagner. Writing as a war machine
This article aims to take a tour of the book"Los montes de La Loca" by Marisa Wagner, establishing a dialogue with Deleuze and Guattari's concept of war machine. In this way, we will focus on the concept of minor literature. Wagner's work will give us the opportunity to address t...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Cátedra B de Problemas Epistemológicos de la Psicología de la Facultad de Psicología, Universidad Nacional de Córdoba
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterocronias/article/view/42151 |
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| Sumario: | This article aims to take a tour of the book"Los montes de La Loca" by Marisa Wagner, establishing a dialogue with Deleuze and Guattari's concept of war machine. In this way, we will focus on the concept of minor literature. Wagner's work will give us the opportunity to address the political potential in art, and more specifically in writing. Far from any allegory of art as therapeutic, or madness as creative, We prefer to focus on the possibility of a micropolitics of writing, in which multiple collective agencies of enunciation and desire converge. The statement, in this sense, contains them. To make rhizome is to write, deterritorialize, mobilize structures and make them tremble. Wagner's writing is a writing from urgency, chaos and movement. His poems are denunciations, a small war machine with which he opens the possibility not only of criticizing the psychiatric clinic as a state apparatus, as a structure that seeks to break the rhizome and appease passions but also in the possibility of a writing that contributes to the production of a minor literature. That is to say that a micropolitics of writing requires a minority becoming in literature. Only in this way could we think of the construction of revolutionary machines of liberation and emancipation, which pursue a path loyal to the affections. |
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