The inventive ear. : Formal procedures of equity between image and sound to create framing on a film.

Due to the the overestimation of image in relation to sound in a large part of contemporary film production, we set out to make a fictional feature film with the aim of exploring the discursive and expressive value of sound. We also wanted to break down the hierarchy that makes sound a subordinate c...

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Autor principal: Blanc, Renzo
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2020
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Acceso en línea:https://revistas.unc.edu.ar/index.php/sendas/article/view/30643
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spelling I10-R309-article-306432024-03-27T14:44:50Z The inventive ear. : Formal procedures of equity between image and sound to create framing on a film. El oído inventivo: Procedimientos formales de equidad entre imagen y sonido en la creación de encuadres cinematográficos Blanc, Renzo cinema sound listening film making cine sonido escucha filmación Due to the the overestimation of image in relation to sound in a large part of contemporary film production, we set out to make a fictional feature film with the aim of exploring the discursive and expressive value of sound. We also wanted to break down the hierarchy that makes sound a subordinate component of the narrative. To this end, we worked on the cinematographic framing in articulation with the off-air space through the use of the soundtrack. In this article, we will describe some aesthetic decisions that we made in order to reach our goal: the search for equity between image and sound. Ante la sobreestimación de la imagen respecto al sonido en gran parte de la producción cinematográfica contemporánea, nos propusimos realizar un largometraje de ficción con el propósito de reflexionar sobre el valor discursivo y expresivo del sonido, y derribar la jerarquía que lo hace un componente subalterno de la narración. Para ello, trabajamos el encuadre cinematográfico en articulación con el espacio fuera de campo a través del uso de la banda sonora. En este artículo, daremos cuenta de las decisiones estéticas y realizativas que tomamos para alcanzar nuestro objetivo: la búsqueda de equidad entre imagen y sonido. Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2020-10-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sendas/article/view/30643 Sendas; Vol. 3 (2020): Distance, observation and listening in artistic research; 122-135 Sendas; Vol. 3 (2020): Distancia, observación y escucha en la investigación artística; 122-135 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/30643/31346 Derechos de autor 2020 Renzo Blanc https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-309
container_title_str Sendas
language Español
format Artículo revista
topic cinema
sound
listening
film making
cine
sonido
escucha
filmación
spellingShingle cinema
sound
listening
film making
cine
sonido
escucha
filmación
Blanc, Renzo
The inventive ear. : Formal procedures of equity between image and sound to create framing on a film.
topic_facet cinema
sound
listening
film making
cine
sonido
escucha
filmación
author Blanc, Renzo
author_facet Blanc, Renzo
author_sort Blanc, Renzo
title The inventive ear. : Formal procedures of equity between image and sound to create framing on a film.
title_short The inventive ear. : Formal procedures of equity between image and sound to create framing on a film.
title_full The inventive ear. : Formal procedures of equity between image and sound to create framing on a film.
title_fullStr The inventive ear. : Formal procedures of equity between image and sound to create framing on a film.
title_full_unstemmed The inventive ear. : Formal procedures of equity between image and sound to create framing on a film.
title_sort inventive ear. : formal procedures of equity between image and sound to create framing on a film.
description Due to the the overestimation of image in relation to sound in a large part of contemporary film production, we set out to make a fictional feature film with the aim of exploring the discursive and expressive value of sound. We also wanted to break down the hierarchy that makes sound a subordinate component of the narrative. To this end, we worked on the cinematographic framing in articulation with the off-air space through the use of the soundtrack. In this article, we will describe some aesthetic decisions that we made in order to reach our goal: the search for equity between image and sound.
publisher Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
publishDate 2020
url https://revistas.unc.edu.ar/index.php/sendas/article/view/30643
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