The inventive ear. : Formal procedures of equity between image and sound to create framing on a film.
Due to the the overestimation of image in relation to sound in a large part of contemporary film production, we set out to make a fictional feature film with the aim of exploring the discursive and expressive value of sound. We also wanted to break down the hierarchy that makes sound a subordinate c...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sendas/article/view/30643 |
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| Sumario: | Due to the the overestimation of image in relation to sound in a large part of contemporary film production, we set out to make a fictional feature film with the aim of exploring the discursive and expressive value of sound. We also wanted to break down the hierarchy that makes sound a subordinate component of the narrative. To this end, we worked on the cinematographic framing in articulation with the off-air space through the use of the soundtrack. In this article, we will describe some aesthetic decisions that we made in order to reach our goal: the search for equity between image and sound. |
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