The Feminist Doc-fic: Exploring the Cinema –Witness of Time– and its (Re)presentations

This article explores the possible intersections between feminist film theories and the geopolitically produced cinema from Latin America. Taking cinema as an object of study, as a discourse, and also as a set of institutions surrounding the production, exhibition and distribution of films. Also the...

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Autor principal: Compagnucci, Ana Paula
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2021
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Acceso en línea:https://revistas.unc.edu.ar/index.php/sendas/article/view/36255
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spelling I10-R309-article-362552024-03-27T14:44:52Z The Feminist Doc-fic: Exploring the Cinema –Witness of Time– and its (Re)presentations El doc-fic feminista: Explorando al cine -testigo del tiempo- y sus (re)presentaciones Compagnucci, Ana Paula Cinema Feminism Discourse Latin American Art Cine Feminismo Discurso Arte latinoamericano This article explores the possible intersections between feminist film theories and the geopolitically produced cinema from Latin America. Taking cinema as an object of study, as a discourse, and also as a set of institutions surrounding the production, exhibition and distribution of films. Also the potential of feminist film theory is taken in consideration because allow us both new ways of analysis and new perspectives in order to keep us sensitive and be able to see what often goes unnoticed and what is taken for granted in sexist cinema (Kuhn 1991). En este texto se exploran los posibles entrecruzamientos entre las teorías fílmicas feministas y el cine geopolíticamente producido desde Latinoamérica. Para ello, se toma como objeto de estudio al cine comprendiéndolo como discurso y también como el conjunto de instituciones que rodean a la producción, la exhibición y distribución de películas. Asimismo, se tiene en consideración la potencialidad de la teoría fílmica feminista a la hora de ofrecer herramientas para un análisis, una perspectiva con la cual contemplar una película, capaz de mantenernos sensibles a lo que a menudo pasa inadvertido, a lo que se toma por supuesto en el cine sexista (Kuhn 1991). Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2021-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sendas/article/view/36255 Sendas; Vol. 4 (2021): Expanding boundaries between academic backgrounds; 49-60 Sendas; Vol. 4 (2021): Ampliando fronteras entre trayectorias académicas; 49-60 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/36255/36558 Derechos de autor 2021 Ana Paula Compagnucci https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-309
container_title_str Sendas
language Español
format Artículo revista
topic Cinema
Feminism
Discourse
Latin American Art
Cine
Feminismo
Discurso
Arte latinoamericano
spellingShingle Cinema
Feminism
Discourse
Latin American Art
Cine
Feminismo
Discurso
Arte latinoamericano
Compagnucci, Ana Paula
The Feminist Doc-fic: Exploring the Cinema –Witness of Time– and its (Re)presentations
topic_facet Cinema
Feminism
Discourse
Latin American Art
Cine
Feminismo
Discurso
Arte latinoamericano
author Compagnucci, Ana Paula
author_facet Compagnucci, Ana Paula
author_sort Compagnucci, Ana Paula
title The Feminist Doc-fic: Exploring the Cinema –Witness of Time– and its (Re)presentations
title_short The Feminist Doc-fic: Exploring the Cinema –Witness of Time– and its (Re)presentations
title_full The Feminist Doc-fic: Exploring the Cinema –Witness of Time– and its (Re)presentations
title_fullStr The Feminist Doc-fic: Exploring the Cinema –Witness of Time– and its (Re)presentations
title_full_unstemmed The Feminist Doc-fic: Exploring the Cinema –Witness of Time– and its (Re)presentations
title_sort feminist doc-fic: exploring the cinema –witness of time– and its (re)presentations
description This article explores the possible intersections between feminist film theories and the geopolitically produced cinema from Latin America. Taking cinema as an object of study, as a discourse, and also as a set of institutions surrounding the production, exhibition and distribution of films. Also the potential of feminist film theory is taken in consideration because allow us both new ways of analysis and new perspectives in order to keep us sensitive and be able to see what often goes unnoticed and what is taken for granted in sexist cinema (Kuhn 1991).
publisher Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
publishDate 2021
url https://revistas.unc.edu.ar/index.php/sendas/article/view/36255
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