How many shapes can we invent? Artistic practices of detour around everyday objects
This work reflects on artistic practices of detour around everyday objects that, through different operations, build fictions that question our habitual ways of connecting with things. For these purposes, I used a model of a chair that my grandfather produced in the family factory located in the cit...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
2024
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sendas/article/view/44807 |
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I10-R309-article-44807 |
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I10-R309-article-448072025-05-02T23:59:33Z How many shapes can we invent? Artistic practices of detour around everyday objects ¿Cuántas formas podemos inventar? Prácticas artísticas de desvío en torno a objetos de uso cotidiano Lucentini, Verónica Artistic practice Everyday object Deviant use Cyanotype Práctica artística Objeto cotidiano Uso desviado Cianotipia This work reflects on artistic practices of detour around everyday objects that, through different operations, build fictions that question our habitual ways of connecting with things. For these purposes, I used a model of a chair that my grandfather produced in the family factory located in the city of Berisso to reflect on the notion of use, particularly that of deviant uses proposed by Michel de Certeau ([1980] 2006). Cyanotype was the photographic technique chosen for the development of the images with the aim of highlighting unique and imprecise recording procedures. Este trabajo reflexiona sobre prácticas artísticas de desvío en torno a objetos de uso cotidiano que, a través de distintas operaciones, construyen ficciones que interrogan nuestros modos habituales de vinculación con las cosas. A estos fines, utilicé un modelo de silla que producía mi abuelo en la fábrica familiar ubicada en la ciudad de Berisso para reparar sobre la noción de uso, particularmente la de usos desviados propuesta por Michel de Certeau ([1980] 2006). La cianotipia fue la técnica fotográfica elegida para el desarrollo de las imágenes con el objetivo de poner en valor procedimientos de registros únicos e imprecisos. Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2024-05-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/sendas/article/view/44807 Sendas; Vol. 7 (2024): The strength to keep on writing; 31-49 Sendas; Vol. 7 (2024): La potencia de seguir escribiendo; 31-49 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/44807/44933 https://revistas.unc.edu.ar/index.php/sendas/article/view/44807/44934 https://revistas.unc.edu.ar/index.php/sendas/article/view/44807/44936 Derechos de autor 2024 Verónica Lucentini https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-309 |
| container_title_str |
Sendas |
| language |
Español |
| format |
Artículo revista |
| topic |
Artistic practice Everyday object Deviant use Cyanotype Práctica artística Objeto cotidiano Uso desviado Cianotipia |
| spellingShingle |
Artistic practice Everyday object Deviant use Cyanotype Práctica artística Objeto cotidiano Uso desviado Cianotipia Lucentini, Verónica How many shapes can we invent? Artistic practices of detour around everyday objects |
| topic_facet |
Artistic practice Everyday object Deviant use Cyanotype Práctica artística Objeto cotidiano Uso desviado Cianotipia |
| author |
Lucentini, Verónica |
| author_facet |
Lucentini, Verónica |
| author_sort |
Lucentini, Verónica |
| title |
How many shapes can we invent? Artistic practices of detour around everyday objects |
| title_short |
How many shapes can we invent? Artistic practices of detour around everyday objects |
| title_full |
How many shapes can we invent? Artistic practices of detour around everyday objects |
| title_fullStr |
How many shapes can we invent? Artistic practices of detour around everyday objects |
| title_full_unstemmed |
How many shapes can we invent? Artistic practices of detour around everyday objects |
| title_sort |
how many shapes can we invent? artistic practices of detour around everyday objects |
| description |
This work reflects on artistic practices of detour around everyday objects that, through different operations, build fictions that question our habitual ways of connecting with things. For these purposes, I used a model of a chair that my grandfather produced in the family factory located in the city of Berisso to reflect on the notion of use, particularly that of deviant uses proposed by Michel de Certeau ([1980] 2006). Cyanotype was the photographic technique chosen for the development of the images with the aim of highlighting unique and imprecise recording procedures. |
| publisher |
Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba |
| publishDate |
2024 |
| url |
https://revistas.unc.edu.ar/index.php/sendas/article/view/44807 |
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AT lucentiniveronica howmanyshapescanweinventartisticpracticesofdetouraroundeverydayobjects AT lucentiniveronica cuantasformaspodemosinventarpracticasartisticasdedesvioentornoaobjetosdeusocotidiano |
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2024-09-03T20:28:18Z |
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2025-05-10T05:03:53Z |
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