How many shapes can we invent? Artistic practices of detour around everyday objects
This work reflects on artistic practices of detour around everyday objects that, through different operations, build fictions that question our habitual ways of connecting with things. For these purposes, I used a model of a chair that my grandfather produced in the family factory located in the cit...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
2024
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sendas/article/view/44807 |
| Aporte de: |
| Sumario: | This work reflects on artistic practices of detour around everyday objects that, through different operations, build fictions that question our habitual ways of connecting with things. For these purposes, I used a model of a chair that my grandfather produced in the family factory located in the city of Berisso to reflect on the notion of use, particularly that of deviant uses proposed by Michel de Certeau ([1980] 2006). Cyanotype was the photographic technique chosen for the development of the images with the aim of highlighting unique and imprecise recording procedures. |
|---|