BETWEEN THE HISTORY AND THE LANDSCAPE. TENSION IN THE ARGENTINAN ART ACCORDING TO EMILIO CARAFFA

The herby study proposes some remarks about the circumstantial tensions in the genres or topics of the painting between the history and the landscape on the basis of two articles published by Emilio Caraffa in 1922 and 1923, in the Los Principios newspaper. In relation to this, I suggest analyzing s...

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Autor principal: Bondone, Tomás Ezequiel
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2020
Materias:
Arte argentino
pintura
historia
paisaje
Argentinian art
painting
history
landscape
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/28734
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-28734
record_format ojs
spelling I10-R310-article-287342025-04-12T18:02:55Z BETWEEN THE HISTORY AND THE LANDSCAPE. TENSION IN THE ARGENTINAN ART ACCORDING TO EMILIO CARAFFA ENTRE LA HISTORIA Y EL PAISAJE. TENSIONES EN EL ARTE ARGENTINO SEGÚN EMILIO CARAFFA Bondone, Tomás Ezequiel Arte argentino pintura historia paisaje Argentinian art painting history landscape The herby study proposes some remarks about the circumstantial tensions in the genres or topics of the painting between the history and the landscape on the basis of two articles published by Emilio Caraffa in 1922 and 1923, in the Los Principios newspaper. In relation to this, I suggest analyzing some issues related to the scene of visual arts, the role of print media in Córdoba and its articulation with the western art panorama. The written reference documents, that may be categorized into the parameters of a “vernacular art critic”, both present substantial evaluation about core aspects in the global debates in relation to the pictorial representation. These debates gained singular relevance in the Cordobese scenario in a moment in which the art local institutions and agents started to consolidate. A partir de dos artículos publicados por Emilio Caraffa en 1922 y en 1923 en el diario Los Principios, el presente trabajo propone algunas reflexiones sobre las circunstanciales tensiones en los géneros o temas de la pintura, entre la historia y el paisaje. En relación con ello, planteo analizar cuestiones vinculadas con la escena de las artes visuales, el rol de los medios de prensa en Córdoba y su articulación con el panorama del arte occidental. Los escritos de referencia, que podrían encuadrarse dentro de los parámetros de una “crítica de arte vernácula”, presentan ambos sustanciosas apreciaciones sobre aspectos medulares dentro de los debates globales en relación con la representación pictórica. Esas discusiones adquieren una relevancia singular en el escenario cordobés, en un momento en el que comienzan a consolidarse las instituciones y los agentes del arte locales. Editorial de la Facultad de Artes 2020-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/28734 Avances; Núm. 29 (2020); 53-69 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/28734/30084 https://revistas.unc.edu.ar/index.php/avances/article/view/28734/30085 https://revistas.unc.edu.ar/index.php/avances/article/view/28734/30086 Derechos de autor 2020 Mgter. Tomás Ezequiel Bondone https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic Arte argentino
pintura
historia
paisaje
Argentinian art
painting
history
landscape
spellingShingle Arte argentino
pintura
historia
paisaje
Argentinian art
painting
history
landscape
Bondone, Tomás Ezequiel
BETWEEN THE HISTORY AND THE LANDSCAPE. TENSION IN THE ARGENTINAN ART ACCORDING TO EMILIO CARAFFA
topic_facet Arte argentino
pintura
historia
paisaje
Argentinian art
painting
history
landscape
author Bondone, Tomás Ezequiel
author_facet Bondone, Tomás Ezequiel
author_sort Bondone, Tomás Ezequiel
title BETWEEN THE HISTORY AND THE LANDSCAPE. TENSION IN THE ARGENTINAN ART ACCORDING TO EMILIO CARAFFA
title_short BETWEEN THE HISTORY AND THE LANDSCAPE. TENSION IN THE ARGENTINAN ART ACCORDING TO EMILIO CARAFFA
title_full BETWEEN THE HISTORY AND THE LANDSCAPE. TENSION IN THE ARGENTINAN ART ACCORDING TO EMILIO CARAFFA
title_fullStr BETWEEN THE HISTORY AND THE LANDSCAPE. TENSION IN THE ARGENTINAN ART ACCORDING TO EMILIO CARAFFA
title_full_unstemmed BETWEEN THE HISTORY AND THE LANDSCAPE. TENSION IN THE ARGENTINAN ART ACCORDING TO EMILIO CARAFFA
title_sort between the history and the landscape. tension in the argentinan art according to emilio caraffa
description The herby study proposes some remarks about the circumstantial tensions in the genres or topics of the painting between the history and the landscape on the basis of two articles published by Emilio Caraffa in 1922 and 1923, in the Los Principios newspaper. In relation to this, I suggest analyzing some issues related to the scene of visual arts, the role of print media in Córdoba and its articulation with the western art panorama. The written reference documents, that may be categorized into the parameters of a “vernacular art critic”, both present substantial evaluation about core aspects in the global debates in relation to the pictorial representation. These debates gained singular relevance in the Cordobese scenario in a moment in which the art local institutions and agents started to consolidate.
publisher Editorial de la Facultad de Artes
publishDate 2020
url https://revistas.unc.edu.ar/index.php/avances/article/view/28734
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first_indexed 2024-09-03T20:28:34Z
last_indexed 2025-05-10T05:08:59Z
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