Looking from the margins/Filming from the slum: an analysis of César González´s films
César González's cinema can be defined —as himself does— as a "cine villero" (slum cinema), that is, as a cinema filmed from a place of enunciation that identifies with the space of the “villa”. From this position, Gonzalez proposes to break with certain stereotypes that dominate the...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/33513 |
| Aporte de: |
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I10-R310-article-33513 |
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ojs |
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I10-R310-article-335132025-04-12T19:44:37Z Looking from the margins/Filming from the slum: an analysis of César González´s films Mirar desde los márgenes/filmar desde la villa: una aproximación al cine de César González Triquell, Ximena Cine argentino César González Enunciación Cine villero Argentinian cinema César González Enunciation Cinema from slums César González's cinema can be defined —as himself does— as a "cine villero" (slum cinema), that is, as a cinema filmed from a place of enunciation that identifies with the space of the “villa”. From this position, Gonzalez proposes to break with certain stereotypes that dominate the representation of this space and the subjects who inhabit it. In this article we discuss the characteristics of this breakup and the consequences that it entails for thinking the political dimension of this filmography. El cine de César González puede definirse —y de hecho él mismo lo hace— como “cine villero”, esto es, como un cine filmado desde un lugar de enunciación que se identifica con el espacio de la villa. Desde ese lugar, González se propone romper con ciertos estereotipos que dominan la representación de este espacio y de los sujetos que lo habitan. En este artículo analizamos en qué consiste esta ruptura y las consecuencias que de ella se desprenden para pensar la dimensión política de esta filmografía. Editorial de la Facultad de Artes 2021-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/33513 Avances; Núm. 30 (2021); 301-312 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/33513/34073 https://revistas.unc.edu.ar/index.php/avances/article/view/33513/34074 https://revistas.unc.edu.ar/index.php/avances/article/view/33513/34075 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-310 |
| container_title_str |
Avances |
| language |
Español |
| format |
Artículo revista |
| topic |
Cine argentino César González Enunciación Cine villero Argentinian cinema César González Enunciation Cinema from slums |
| spellingShingle |
Cine argentino César González Enunciación Cine villero Argentinian cinema César González Enunciation Cinema from slums Triquell, Ximena Looking from the margins/Filming from the slum: an analysis of César González´s films |
| topic_facet |
Cine argentino César González Enunciación Cine villero Argentinian cinema César González Enunciation Cinema from slums |
| author |
Triquell, Ximena |
| author_facet |
Triquell, Ximena |
| author_sort |
Triquell, Ximena |
| title |
Looking from the margins/Filming from the slum: an analysis of César González´s films |
| title_short |
Looking from the margins/Filming from the slum: an analysis of César González´s films |
| title_full |
Looking from the margins/Filming from the slum: an analysis of César González´s films |
| title_fullStr |
Looking from the margins/Filming from the slum: an analysis of César González´s films |
| title_full_unstemmed |
Looking from the margins/Filming from the slum: an analysis of César González´s films |
| title_sort |
looking from the margins/filming from the slum: an analysis of césar gonzález´s films |
| description |
César González's cinema can be defined —as himself does— as a "cine villero" (slum cinema), that is, as a cinema filmed from a place of enunciation that identifies with the space of the “villa”. From this position, Gonzalez proposes to break with certain stereotypes that dominate the representation of this space and the subjects who inhabit it. In this article we discuss the characteristics of this breakup and the consequences that it entails for thinking the political dimension of this filmography. |
| publisher |
Editorial de la Facultad de Artes |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/avances/article/view/33513 |
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AT triquellximena lookingfromthemarginsfilmingfromtheslumananalysisofcesargonzalezsfilms AT triquellximena mirardesdelosmargenesfilmardesdelavillaunaaproximacionalcinedecesargonzalez |
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2024-09-03T20:28:40Z |
| last_indexed |
2025-05-10T05:09:07Z |
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