‘Salones Municipales’ in Córdoba (1941-1945). Art, critique and politics
The article focuses on the art exhibitions organized by the communal government of the city of Córdoba during the first five years of the 1940s. It explores these events in a context marked by sabattinismo’s politics, a growing institutionalization of the provincial artistic field, and the intensifi...
Guardado en:
| Autores principales: | , |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Editorial de la Facultad de Artes
2022
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/37676 |
| Aporte de: |
| id |
I10-R310-article-37676 |
|---|---|
| record_format |
ojs |
| spelling |
I10-R310-article-376762025-03-28T19:08:31Z ‘Salones Municipales’ in Córdoba (1941-1945). Art, critique and politics Salones municipales en Córdoba (1941-1945). Arte, crítica y política Rocca, María-Cristina Romano, Carolina Arte nuevo Artistas Salones Municipales Crítica 1941-1945 New Art Artists Salones Municipales Critique 1941-1945 The article focuses on the art exhibitions organized by the communal government of the city of Córdoba during the first five years of the 1940s. It explores these events in a context marked by sabattinismo’s politics, a growing institutionalization of the provincial artistic field, and the intensification of modern debates about new art. These artistic expositions would play a key role in the future collection of the Municipal Museum of Fine Arts created a year later. The privileged aspects to analyze these art exhibitions are: the composition of the jury, the artworks presented, the award criteria, the artists’ associations and the role of the critique. By drawing attention to these aspects, we shed light on the nuances in the debates carried out. In addition, we observe the fluctuations that take place from the creation of this exhibitions to its institutionalization. The development of these exhibitions was characterized by permanent tension marked by contacts between the local and the national. These contacts are, from our point of view, crucial for the analysis of the complex factors that intervened in the formation of these specific art exhibition spaces in the city and their differentiation from other provincial or national art circulation spaces. El artículo aborda los Salones Municipales realizados en Córdoba durante el primer lustro de la década del cuarenta. Indaga sobre su conformación en la encrucijada de un contexto marcado por las políticas del sabattinismo, una creciente institucionalización del campo artístico provincial y la intensificación de debates modernos en torno a lo que se definía como arte nuevo. Estos Salones van a tener una importancia medular para la futura colección del Museo Municipal de Bellas Artes creado un año después. La conformación de los jurados, las obras presentadas, los criterios de premiación, los artistas agremiados y el carácter de la crítica son aspectos privilegiados para registrar y analizar los Salones. La observación de esas relaciones permite ver ciertos matices diferenciales en las problemáticas que se jerarquizan en los debates desplegados, así como fluctuaciones que van desde su instauración hasta su institucionalización. El desarrollo de esos Salones Municipales estuvo caracterizado por la tensión permanente, con modalidades diversas, entre lo local y una serie de contactos nacionales. Estos contactos son, desde la perspectiva adoptada, cruciales a la hora de analizar los complejos factores que intervinieron en la conformación de un espacio institucional específico diferenciado de los Salones provinciales y nacionales. Editorial de la Facultad de Artes 2022-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/37676 Avances; Núm. 31 (2022) 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/37676/38211 https://revistas.unc.edu.ar/index.php/avances/article/view/37676/38102 https://revistas.unc.edu.ar/index.php/avances/article/view/37676/38103 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-310 |
| container_title_str |
Avances |
| language |
Español |
| format |
Artículo revista |
| topic |
Arte nuevo Artistas Salones Municipales Crítica 1941-1945 New Art Artists Salones Municipales Critique 1941-1945 |
| spellingShingle |
Arte nuevo Artistas Salones Municipales Crítica 1941-1945 New Art Artists Salones Municipales Critique 1941-1945 Rocca, María-Cristina Romano, Carolina ‘Salones Municipales’ in Córdoba (1941-1945). Art, critique and politics |
| topic_facet |
Arte nuevo Artistas Salones Municipales Crítica 1941-1945 New Art Artists Salones Municipales Critique 1941-1945 |
| author |
Rocca, María-Cristina Romano, Carolina |
| author_facet |
Rocca, María-Cristina Romano, Carolina |
| author_sort |
Rocca, María-Cristina |
| title |
‘Salones Municipales’ in Córdoba (1941-1945). Art, critique and politics |
| title_short |
‘Salones Municipales’ in Córdoba (1941-1945). Art, critique and politics |
| title_full |
‘Salones Municipales’ in Córdoba (1941-1945). Art, critique and politics |
| title_fullStr |
‘Salones Municipales’ in Córdoba (1941-1945). Art, critique and politics |
| title_full_unstemmed |
‘Salones Municipales’ in Córdoba (1941-1945). Art, critique and politics |
| title_sort |
‘salones municipales’ in córdoba (1941-1945). art, critique and politics |
| description |
The article focuses on the art exhibitions organized by the communal government of the city of Córdoba during the first five years of the 1940s. It explores these events in a context marked by sabattinismo’s politics, a growing institutionalization of the provincial artistic field, and the intensification of modern debates about new art. These artistic expositions would play a key role in the future collection of the Municipal Museum of Fine Arts created a year later.
The privileged aspects to analyze these art exhibitions are: the composition of the jury, the artworks presented, the award criteria, the artists’ associations and the role of the critique. By drawing attention to these aspects, we shed light on the nuances in the debates carried out. In addition, we observe the fluctuations that take place from the creation of this exhibitions to its institutionalization.
The development of these exhibitions was characterized by permanent tension marked by contacts between the local and the national. These contacts are, from our point of view, crucial for the analysis of the complex factors that intervened in the formation of these specific art exhibition spaces in the city and their differentiation from other provincial or national art circulation spaces. |
| publisher |
Editorial de la Facultad de Artes |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/avances/article/view/37676 |
| work_keys_str_mv |
AT roccamariacristina salonesmunicipalesincordoba19411945artcritiqueandpolitics AT romanocarolina salonesmunicipalesincordoba19411945artcritiqueandpolitics AT roccamariacristina salonesmunicipalesencordoba19411945artecriticaypolitica AT romanocarolina salonesmunicipalesencordoba19411945artecriticaypolitica |
| first_indexed |
2024-09-03T20:28:43Z |
| last_indexed |
2025-05-10T05:09:10Z |
| _version_ |
1831708918696378368 |