The technical and material order as Amerindian indices in the aesthetics of public spaces

The present work seeks to point out milestones of connection between images and materialities linked to the Andean Amerindian(re)presentation systems with material manifestations, visualities and artistic practices located in the public space of the Güemesneighborhood in Córdoba, from 2015 to 2019....

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Autor principal: Estarellas, Natalia
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2023
Materias:
Visualidades
Amerindias
Índices
Materialidad
Espacios públicos
Visualities
Amerindians
Index
Materiality
Public spaces
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/41458
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-41458
record_format ojs
spelling I10-R310-article-414582025-03-28T18:28:03Z The technical and material order as Amerindian indices in the aesthetics of public spaces El orden técnico y material como índices amerindios en las estéticas de los espacios públicos Estarellas, Natalia Visualidades Amerindias Índices Materialidad Espacios públicos Visualities Amerindians Index Materiality Public spaces The present work seeks to point out milestones of connection between images and materialities linked to the Andean Amerindian(re)presentation systems with material manifestations, visualities and artistic practices located in the public space of the Güemesneighborhood in Córdoba, from 2015 to 2019. These links an arc of long historical projection and within the framework of the conditions of recognition by cultural agents in the context of study will be appreciated. These connections are intended to be appreciated from a relational dimension that allows us to understand the sign systems in their permeable capacity, contextualized in a local framework that enables their own variations, syntax and meaning. In this framework, the symbolic capacity of images and artistic manifestations is the key that allows dimensioning the flow of “adaptability” –potential and latent– that they possess (Escobar, 2021). In addition, along these lines, the present reflections consider in their interpretations what was proposed by Ruiz & Triquell (2017) who are based on the material existence of all images and their great effectiveness in the dispute over the imposition of meanings when conceived as indices, understanding to these in their particular relationship with reality from the point of view of their effects and reception. El presente trabajo busca señalar hitos de conexión entre imágenes y materialidades vinculadas a los sistemas de (re)presentación andino amerindios y manifestaciones materiales, visualidades y prácticas artísticas, situadas en el espacio público de barrio Güemes en Córdoba, desde 2015 hasta el 2019. Estas vinculaciones serán apreciadas desde un arco de larga proyección histórica y en el marco de las condiciones de reconocimiento de parte de agentes culturales presentes en el contexto de estudio. Dichas conexiones pretenden ser apreciadas desde una dimensión relacional que permita comprender los sistemas sígnicos en su capacidad permeable, contextualizados en un marco local habilitante de variaciones propias, sintácticas y de sentido. En esta línea, la capacidad sígnica de imágenes y manifestaciones artísticas es la clave que permite dimensionar el caudal de “adaptabilidad” –potencial y latente– que estas poseen (Escobar, 2021). Además, las presentes reflexiones consideran en sus interpretaciones lo propuesto por Ruiz y Triquell (2017), quienes se basan en la existencia material de las imágenes y en su gran eficacia en la disputa por la imposición de sentidos, al concebirlas como índices, entendiendo a estos en su particular relación con la realidad desde el punto de vista de sus efectos y recepción. Editorial de la Facultad de Artes 2023-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/41458 Avances; Núm. 32 (2023); 79-97 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/41458/41837 https://revistas.unc.edu.ar/index.php/avances/article/view/41458/41864 https://revistas.unc.edu.ar/index.php/avances/article/view/41458/41865 Derechos de autor 2023 Natalia Estarellas https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic Visualidades
Amerindias
Índices
Materialidad
Espacios públicos
Visualities
Amerindians
Index
Materiality
Public spaces
spellingShingle Visualidades
Amerindias
Índices
Materialidad
Espacios públicos
Visualities
Amerindians
Index
Materiality
Public spaces
Estarellas, Natalia
The technical and material order as Amerindian indices in the aesthetics of public spaces
topic_facet Visualidades
Amerindias
Índices
Materialidad
Espacios públicos
Visualities
Amerindians
Index
Materiality
Public spaces
author Estarellas, Natalia
author_facet Estarellas, Natalia
author_sort Estarellas, Natalia
title The technical and material order as Amerindian indices in the aesthetics of public spaces
title_short The technical and material order as Amerindian indices in the aesthetics of public spaces
title_full The technical and material order as Amerindian indices in the aesthetics of public spaces
title_fullStr The technical and material order as Amerindian indices in the aesthetics of public spaces
title_full_unstemmed The technical and material order as Amerindian indices in the aesthetics of public spaces
title_sort technical and material order as amerindian indices in the aesthetics of public spaces
description The present work seeks to point out milestones of connection between images and materialities linked to the Andean Amerindian(re)presentation systems with material manifestations, visualities and artistic practices located in the public space of the Güemesneighborhood in Córdoba, from 2015 to 2019. These links an arc of long historical projection and within the framework of the conditions of recognition by cultural agents in the context of study will be appreciated. These connections are intended to be appreciated from a relational dimension that allows us to understand the sign systems in their permeable capacity, contextualized in a local framework that enables their own variations, syntax and meaning. In this framework, the symbolic capacity of images and artistic manifestations is the key that allows dimensioning the flow of “adaptability” –potential and latent– that they possess (Escobar, 2021). In addition, along these lines, the present reflections consider in their interpretations what was proposed by Ruiz & Triquell (2017) who are based on the material existence of all images and their great effectiveness in the dispute over the imposition of meanings when conceived as indices, understanding to these in their particular relationship with reality from the point of view of their effects and reception.
publisher Editorial de la Facultad de Artes
publishDate 2023
url https://revistas.unc.edu.ar/index.php/avances/article/view/41458
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first_indexed 2024-09-03T20:28:47Z
last_indexed 2025-05-10T05:09:15Z
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