Crossroads
A young person and virtuous southern guitar student dreams about becoming a blues musician. To achieve his goal, he defies himself to find a “lost melody” written by the mythical Robert Johnson.The film presents a variant of the legend of the agreement with the devil and it turns out useful to think...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2017
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19725 |
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I10-R324-article-19725 |
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I10-R324-article-197252019-07-27T12:16:03Z Crossroads Cine y música: Arnold Schoenberg y la naturaleza del acto creador Luzzi, Silvina Cine Música Crossroad Schoenberg Artist Event Music A young person and virtuous southern guitar student dreams about becoming a blues musician. To achieve his goal, he defies himself to find a “lost melody” written by the mythical Robert Johnson.The film presents a variant of the legend of the agreement with the devil and it turns out useful to think the nature of the creating act. This article based on Arnold Schoenberg’s contributions, establishes the differences between a craftsman and an artist, contributing a hypothesis on the musical event. Un joven y virtuoso estudiante de guitarra clásica sueña en consagrarse como músico de blues. Para ello se propone encontrar una “melodía perdida” escrita por el mítico Robert Johnson. El film presenta una variante de la leyenda del pacto con el diablo y resulta útil para pensar la naturaleza del acto creador. Este artículo, basado en los aportes de Arnold Schoenberg, establece las diferencias entre un artesano y un artista, aportando una hipótesis sobre el acontecimiento musical. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2017-03-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19725 10.31056/2250.5415.v7.n1.19725 Ética y Cine Journal; Vol. 7 Núm. 1 (2017): No hay relación sexual; 73-77 2250-5415 2250-5660 10.31056/2250.5415.v7.n1 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19725/19853 Derechos de autor 2017 Ética&Cine Journal |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-324 |
| container_title_str |
Ética y Cine Journal |
| language |
Español |
| format |
Artículo revista |
| topic |
Cine Música Crossroad Schoenberg Artist Event Music |
| spellingShingle |
Cine Música Crossroad Schoenberg Artist Event Music Luzzi, Silvina Crossroads |
| topic_facet |
Cine Música Crossroad Schoenberg Artist Event Music |
| author |
Luzzi, Silvina |
| author_facet |
Luzzi, Silvina |
| author_sort |
Luzzi, Silvina |
| title |
Crossroads |
| title_short |
Crossroads |
| title_full |
Crossroads |
| title_fullStr |
Crossroads |
| title_full_unstemmed |
Crossroads |
| title_sort |
crossroads |
| description |
A young person and virtuous southern guitar student dreams about becoming a blues musician. To achieve his goal, he defies himself to find a “lost melody” written by the mythical Robert Johnson.The film presents a variant of the legend of the agreement with the devil and it turns out useful to think the nature of the creating act. This article based on Arnold Schoenberg’s contributions, establishes the differences between a craftsman and an artist, contributing a hypothesis on the musical event. |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2017 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19725 |
| work_keys_str_mv |
AT luzzisilvina crossroads AT luzzisilvina cineymusicaarnoldschoenbergylanaturalezadelactocreador |
| first_indexed |
2024-09-03T20:50:48Z |
| last_indexed |
2024-09-03T20:50:48Z |
| _version_ |
1809209515771428864 |