Moral and Traveling Ethical commitment and formal statements in Cahiers du cinéma

"Morality is a question of tracking shots": Luc Moullet’s statement quickly became famous and –repeated in a simplified, imprecise or wrong manner– was hailed as one of the theoretical slogans of Cahiers du cinéma. The statement stages the complex link between film’s form and the...

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Autor principal: Oubiña, David
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2021
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Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/34179
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id I10-R324-article-34179
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spelling I10-R324-article-341792021-07-26T20:45:18Z Moral and Traveling Ethical commitment and formal statements in Cahiers du cinéma Moral y Traveling Compromiso ético y discurso de la forma en Cahiers du cinéma Oubiña, David Luc Moullet Jean-Luc Godard Jacques Rivette Serge Daney Form and morality Luc Moullet Jean-Luc Godard Jacques Rivette Serge Daney Forma y moral "Morality is a question of tracking shots": Luc Moullet’s statement quickly became famous and –repeated in a simplified, imprecise or wrong manner– was hailed as one of the theoretical slogans of Cahiers du cinéma. The statement stages the complex link between film’s form and the director’s ethics. In this sense, the critic wonders about how films should represent the world, but also what the images show and how they should be watched. The link between tracking shots and morality was revisited and reformulated by Jean-Luc Godard and Jacques Rivette: in this process, the original meaning of the statement varies almost imperceptibly but, at the same time, is subjected to profound transformations. During the 1960s, reflections on the filmmakers’ style quickly shifted from depoliticized assessment to ideological radicalization. Where does a filmmaker’s ethical commitment lie? In his intention or in his style? This article reviews the tensions that run through the journal in reference to the morality of forms. “La moral es una cuestión de travellings”: la sentencia de Luc Moullet se hizo rápidamente célebre y –repetida de manera simplificada, imprecisa o directamente errónea– se convirtió en uno de los slogans teóricos de Cahiers du cinéma. La cita pone en escena el complejo vínculo que se establece entre la forma del film y la ética de su director. En ese sentido, el crítico se interroga sobre el modo en que las películas deben representar el mundo, pero también qué muestran las imágenes y cómo deberían ser vistas. Ese vínculo entre los travellings y la moral fue retomado y reformulado por Jean-Luc Godard y por Jacques Rivette: en el trayecto, el sentido original de la frase varía de manera casi imperceptible pero, a la vez, es sometido a transformaciones profundas. Durante la década de 1960, las reflexiones sobre el estilo de los cineastas pasarán rápidamente desde una valoración despolitizada a la radicalización ideológica. ¿Dónde radica el compromiso ético de un cineasta? ¿En su intención o en su estilo? Este artículo revisa las tensiones que atraviesan el pensamiento de la revista a propósito de la moral de los procedimientos. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2021-07-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/34179 10.31056/2250.5415.v11.n2.34179 Ética y Cine Journal; Vol. 11 Núm. 2 (2021): Cine y Filosofía; 11-17 2250-5415 2250-5660 10.31056/2250.5415.v11.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/34179/34628 https://creativecommons.org/licenses/by-sa/4.0/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-324
container_title_str Ética y Cine Journal
language Español
format Artículo revista
topic Luc Moullet
Jean-Luc Godard
Jacques Rivette
Serge Daney
Form and morality
Luc Moullet
Jean-Luc Godard
Jacques Rivette
Serge Daney
Forma y moral
spellingShingle Luc Moullet
Jean-Luc Godard
Jacques Rivette
Serge Daney
Form and morality
Luc Moullet
Jean-Luc Godard
Jacques Rivette
Serge Daney
Forma y moral
Oubiña, David
Moral and Traveling Ethical commitment and formal statements in Cahiers du cinéma
topic_facet Luc Moullet
Jean-Luc Godard
Jacques Rivette
Serge Daney
Form and morality
Luc Moullet
Jean-Luc Godard
Jacques Rivette
Serge Daney
Forma y moral
author Oubiña, David
author_facet Oubiña, David
author_sort Oubiña, David
title Moral and Traveling Ethical commitment and formal statements in Cahiers du cinéma
title_short Moral and Traveling Ethical commitment and formal statements in Cahiers du cinéma
title_full Moral and Traveling Ethical commitment and formal statements in Cahiers du cinéma
title_fullStr Moral and Traveling Ethical commitment and formal statements in Cahiers du cinéma
title_full_unstemmed Moral and Traveling Ethical commitment and formal statements in Cahiers du cinéma
title_sort moral and traveling ethical commitment and formal statements in cahiers du cinéma
description "Morality is a question of tracking shots": Luc Moullet’s statement quickly became famous and –repeated in a simplified, imprecise or wrong manner– was hailed as one of the theoretical slogans of Cahiers du cinéma. The statement stages the complex link between film’s form and the director’s ethics. In this sense, the critic wonders about how films should represent the world, but also what the images show and how they should be watched. The link between tracking shots and morality was revisited and reformulated by Jean-Luc Godard and Jacques Rivette: in this process, the original meaning of the statement varies almost imperceptibly but, at the same time, is subjected to profound transformations. During the 1960s, reflections on the filmmakers’ style quickly shifted from depoliticized assessment to ideological radicalization. Where does a filmmaker’s ethical commitment lie? In his intention or in his style? This article reviews the tensions that run through the journal in reference to the morality of forms.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2021
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/34179
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