The use of cinema as a passer of the real in the documentary film “Lemebel”

The following work seeks to understand the relationship between cinema as a passer of reality and the use of the body as a tool in Pedro Lemebel’s performance. For this, use is made of the documentary film "Lemebel" where it is shown and found between art and artist. Since, it is presented...

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Detalles Bibliográficos
Autor principal: Reyes Mosqueira, Isabel
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023
Materias:
Performance
Art
Psychoanalysis
Real
Body
Sexual dissidence
Arte
Psicoanálisis
Cuerpo
Disidencia sexual
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/41973
Aporte de:
Ética y Cine Journal de Universidad Nacional de Córdoba
id I10-R324-article-41973
record_format ojs
spelling I10-R324-article-419732023-07-26T22:11:34Z The use of cinema as a passer of the real in the documentary film “Lemebel” El uso del cine como pasador de lo real en la película documental “Lemebel” Reyes Mosqueira, Isabel Performance Art Psychoanalysis Real Body Sexual dissidence Performance Arte Psicoanálisis Real Cuerpo Disidencia sexual The following work seeks to understand the relationship between cinema as a passer of reality and the use of the body as a tool in Pedro Lemebel’s performance. For this, use is made of the documentary film "Lemebel" where it is shown and found between art and artist. Since, it is presented as a subject, product and artistic production through its body, "political body" that denounces systemic violence during the military dictatorship in Chile in the 80’s towards marginalized sexual dissidents. And, on the other hand, it seeks to vindicate the term "colisa" referring to "faggots sudacas" differentiating them from "gays". To carry out the above, use is made of the real, symbolic and imaginary registers, to then make a tour of the notion of real within Lacan’s work. So, later on, the real is related to art and the use of the body in performance art. El siguiente trabajo busca comprender cuál es la relación entre el cine como pasador de lo real y el uso del cuerpo como herramienta en la performance de Pedro Lemebel. Para esto, se hace uso de la película documental “Lemebel” donde este se muestra y encuentra entre arte y artista. Ya que, se presenta como sujeto, producto y producción artísticas por medio de su cuerpo, “cuerpo político” que denuncia la violencia sistémica en época de dictadura militar en Chile de los años 80’ hacia las disidencias sexuales marginadas. Y, por otro lado, busca reivindicar el término “colisa” referido a los “maricas sudacas” diferenciándolos de los “gays”. Para llevar a cabo lo anterior, se hace uso de los registros de real, simbólico e imaginario, para luego hacer un recorrido por la noción de real dentro de la obra de Lacan. De modo que, más adelante se relaciona lo real con el arte y, el uso del cuerpo en el arte performático. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023-07-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/41973 10.31056/2250.5415.v13.n2.41973 Ética y Cine Journal; Vol. 13 Núm. 2 (2023): Omnivoyeur. The Truman Show: 25 años después; 87-92 2250-5415 2250-5660 10.31056/2250.5415.v13.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/41973/42109 Derechos de autor 2023 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-324
container_title_str Ética y Cine Journal
language Español
format Artículo revista
topic Performance
Art
Psychoanalysis
Real
Body
Sexual dissidence
Performance
Arte
Psicoanálisis
Real
Cuerpo
Disidencia sexual
spellingShingle Performance
Art
Psychoanalysis
Real
Body
Sexual dissidence
Performance
Arte
Psicoanálisis
Real
Cuerpo
Disidencia sexual
Reyes Mosqueira, Isabel
The use of cinema as a passer of the real in the documentary film “Lemebel”
topic_facet Performance
Art
Psychoanalysis
Real
Body
Sexual dissidence
Performance
Arte
Psicoanálisis
Real
Cuerpo
Disidencia sexual
author Reyes Mosqueira, Isabel
author_facet Reyes Mosqueira, Isabel
author_sort Reyes Mosqueira, Isabel
title The use of cinema as a passer of the real in the documentary film “Lemebel”
title_short The use of cinema as a passer of the real in the documentary film “Lemebel”
title_full The use of cinema as a passer of the real in the documentary film “Lemebel”
title_fullStr The use of cinema as a passer of the real in the documentary film “Lemebel”
title_full_unstemmed The use of cinema as a passer of the real in the documentary film “Lemebel”
title_sort use of cinema as a passer of the real in the documentary film “lemebel”
description The following work seeks to understand the relationship between cinema as a passer of reality and the use of the body as a tool in Pedro Lemebel’s performance. For this, use is made of the documentary film "Lemebel" where it is shown and found between art and artist. Since, it is presented as a subject, product and artistic production through its body, "political body" that denounces systemic violence during the military dictatorship in Chile in the 80’s towards marginalized sexual dissidents. And, on the other hand, it seeks to vindicate the term "colisa" referring to "faggots sudacas" differentiating them from "gays". To carry out the above, use is made of the real, symbolic and imaginary registers, to then make a tour of the notion of real within Lacan’s work. So, later on, the real is related to art and the use of the body in performance art.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2023
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/41973
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first_indexed 2024-09-03T20:51:30Z
last_indexed 2024-09-03T20:51:30Z
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