Cultural trauma and violence in contemporary Mexico
The article briefly reviews the way in which the concept of trauma, originally elaborated in psychoanalysis, has been taken up by the social sciences under the term social or cultural trauma, as well as by film studies, in order to use it to analyze the way in which two traumatic events in contempor...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2024
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/44632 |
| Aporte de: |
| id |
I10-R324-article-44632 |
|---|---|
| record_format |
ojs |
| spelling |
I10-R324-article-446322024-04-01T13:19:46Z Cultural trauma and violence in contemporary Mexico Trauma cultural y violencia en el México contemporáneo Telléz Parra, Andrés cultural trauma mexican cinema terror violence trauma cultural cine mexicano terror violencia The article briefly reviews the way in which the concept of trauma, originally elaborated in psychoanalysis, has been taken up by the social sciences under the term social or cultural trauma, as well as by film studies, in order to use it to analyze the way in which two traumatic events in contemporary Mexican history, namely, the massacre of students in the Plaza de las Tres Culturas in Mexico City on October 2, 1968, and the forced disappearance of 43 students from the "Raúl Isidro Burgos" Rural Normal School in Ayotzinapa on the night of September 26, 2014, are reworked in Isaac Ezban’s film Los parecidos, in the context of the violence generated by organized crime in contemporary Mexican society. El artículo hace una breve revisión de la manera en que el concepto de trauma proveniente del psicoanálisis ha sido retomado por las ciencias sociales bajo el término de trauma social o cultural, así como por los estudios de cine, con el fin de utilizarlo para analizar la manera en que dos eventos traumáticos de la historia mexicana contemporánea, a saber, la matanza de estudiantes en la Plaza de las Tres Culturas de la Ciudad de México el 2 de octubre de 1968 y la desaparición forzada, la noche del 26 de septiembre de 2014, de 43 estudiantes de la Escuela Normal Rural “Raúl Isidro Burgos”, de Ayotzinapa, son reelaborados en la película Los parecidos de Isaac Ezban, en el contexto de la violencia generada por el crimen organizado en la sociedad mexicana contemporánea. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2024-04-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/44632 10.31056/2250.5415.v14.n1.44632 Ética y Cine Journal; Vol. 14 Núm. 1 (2024): Libertad y memoria. La libertad como fantasma; 39-53 2250-5415 2250-5660 10.31056/2250.5415.v14.n1 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/44632/44821 Derechos de autor 2024 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-324 |
| container_title_str |
Ética y Cine Journal |
| language |
Español |
| format |
Artículo revista |
| topic |
cultural trauma mexican cinema terror violence trauma cultural cine mexicano terror violencia |
| spellingShingle |
cultural trauma mexican cinema terror violence trauma cultural cine mexicano terror violencia Telléz Parra, Andrés Cultural trauma and violence in contemporary Mexico |
| topic_facet |
cultural trauma mexican cinema terror violence trauma cultural cine mexicano terror violencia |
| author |
Telléz Parra, Andrés |
| author_facet |
Telléz Parra, Andrés |
| author_sort |
Telléz Parra, Andrés |
| title |
Cultural trauma and violence in contemporary Mexico |
| title_short |
Cultural trauma and violence in contemporary Mexico |
| title_full |
Cultural trauma and violence in contemporary Mexico |
| title_fullStr |
Cultural trauma and violence in contemporary Mexico |
| title_full_unstemmed |
Cultural trauma and violence in contemporary Mexico |
| title_sort |
cultural trauma and violence in contemporary mexico |
| description |
The article briefly reviews the way in which the concept of trauma, originally elaborated in psychoanalysis, has been taken up by the social sciences under the term social or cultural trauma, as well as by film studies, in order to use it to analyze the way in which two traumatic events in contemporary Mexican history, namely, the massacre of students in the Plaza de las Tres Culturas in Mexico City on October 2, 1968, and the forced disappearance of 43 students from the "Raúl Isidro Burgos" Rural Normal School in Ayotzinapa on the night of September 26, 2014, are reworked in Isaac Ezban’s film Los parecidos, in the context of the violence generated by organized crime in contemporary Mexican society. |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2024 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/44632 |
| work_keys_str_mv |
AT tellezparraandres culturaltraumaandviolenceincontemporarymexico AT tellezparraandres traumaculturalyviolenciaenelmexicocontemporaneo |
| first_indexed |
2024-09-03T20:51:35Z |
| last_indexed |
2024-09-03T20:51:35Z |
| _version_ |
1809209565125804032 |